Category Archives: Interviews

Our Horror, Body Horror: Part Four in Our Pro-Choice Roundtable

Welcome back, and welcome to part four in our Pro-Choice Roundtable! Today, I’m thrilled to welcome four new interviewees to my blog to discuss abortion rights.

And with that, I’ll let these amazing interviewees take it away!

There are so many things to talk about right now, but first and foremost, how are you doing personally? How has the overturning of Roe affected your life so far? How has it affected your family and friends?

CYNTHIA PELAYO: Honestly, I’ve been struggling with this a lot emotionally. This brings back a lot of memories of times in my life when I needed help and it’s been upsetting to see people’s bodies and what they can do with their bodies debated so openly by politicians. It’s our
body. We cannot allow strangers to dictate what we can do with our bodies. It puts me in this position of helplessness to think of the possibility that a complete stranger can put in place controls so that my body is not my body. That’s horror.

Many of my friends have been struggling as well.

Many of us took to social media to share our stories so that people know we are real. We exist, people who needed Roe V Wade. We exist.

NICOLE WILLSON: I’m lucky personally in that there’s no longer any chance of my ever needing an abortion, so Roe’s overturning mostly reminded me that women’s rights and wellbeing are still considered unimportant fringe issues in this country. Which is depressing and horrifying enough.

I’m also fortunate to live in a place where Democrats control the state senate, so even though our Republican governor wants to enact a 15-week abortion ban, he’s unlikely to be able to do it without a fight. And since he can serve only one term, I will do what I can to ensure he’s replaced by someone who will keep abortion safe in Virginia.

As for my friends and family, many of them are furious that their younger family members now have fewer reproductive rights than they did growing up. That’s shocking.

LAUREL HIGHTOWER: I feel like I’m in hell, to be honest. I vacillate between despair and burning anger, and I keep praying to wake up from this nightmare. I’m living in a country that’s declared open season on uterus owners, and I hate it. My anxiety hasn’t been this bad in years, and seeing how certain people and companies have reacted has forever altered my impression of them. I live in a state where I could bleed to death in favor of a completely non-viable fertilized egg. Knowing that people voted for that, celebrated it, and that companies are continuing to contribute to it makes me feel like I’m surrounded by dangerous enemies.

My family and friends are in the same boat, for the most part. Some of them are distracting themselves as much as possible, which I advocate for. We all need self-care right now because for damn sure no one else is going to do it. I appreciate that I have some friends and co-workers who are as livid and willing to curse about it as I am, because it reinforces the realization that I’m not alone, that not everyone is my enemy, and that we will fucking well fight. As far as any family I may have that take an opposite view point? Well, this isn’t an argument over movies. They don’t see me as human, so I damn sure don’t count them as family.

Where were you on June 24th when you learned that Roe had been overturned? What was your first reaction?

CYNTHIA PELAYO: I was in the backyard reading and writing when the news broke. My first reaction was anger and then I just started to cry, thinking about how far we’ve come to backtrack so much and the absolute recklessness of it all. It’s disgusting to think that people are fine with controlling our bodies, fine with allowing people to die. It’s devastating.

CHRISTI NOGLE: I didn’t mark that moment in my mind as I would have with a surprise decision. The May 8th leak of the draft opinion, the 2020 confirmation of Amy Coney Barrett, the 2018 confirmation of Brett Kavanaugh, and of course the election of the former president seem to have been the important moments. Each of them made me feel helpless, baffled, and doomed.

NICOLE WILLSON: I was at home and on Twitter when the ruling came down, so I saw a lot of anger in real time. Since we had already been tipped off that this was coming, I can’t say I was surprised. But I was angry. And also deeply frustrated. I couldn’t stop thinking of all the things leading up to this that could, and should, have gone differently. Or about people who insisted Roe would never be overturned, even as it became alarmingly clear that this was going to happen.

Honestly, I’m probably never not going to be angry about the 2016 Presidential election. You didn’t have to like Hillary Clinton to understand that having her fill Scalia’s vacant Supreme Court seat was vastly preferable to Trump doing it if you wanted to keep Roe in effect.

LAUREL HIGHTOWER: I was at home eating lunch. I write in the mornings before work in the afternoon, and I don’t usually check social media or news before I break for lunch. It has too much power to derail me. I’d also had an upsetting troll situation the day before, so when my friend messaged me to ask if I was okay, I assumed that’s what he meant. At first I was a bit numb, I guess. I’d been expecting it since the leak a few months ago, so maybe I thought I’d adjusted, but that clearly wasn’t the case. The more I read, the more furious I became. I spent the next week screaming until I lost my voice, sobbing uncontrollably, and working out every chance I got. And that’s pretty much where I still am.

As a horror writer, how do you feel like this ruling will affect your work? Are you struggling to write? Will you incorporate these themes into your writing more? Also, how would you like to see people in the genre, especially those in positions of power, do better in terms of supporting us during this crisis?

CYNTHIA PELAYO: I typically don’t write body horror, but I do explore themes of control, and this is probably going to appear in my work somehow, authority and control and helplessness. We’re moving into a very dangerous point in society. Well, we are already there – in which people are telling us what we should do, how we should look and what we should think. We cannot for a moment allow any of these people to dictate what we can do and who we can be. We should not allow any of these people to have power over us.

I certainly believe all people with any power should be helping people in the genre navigate times of crisis, if only voicing their support of us. I know that not everyone has a position of power, or a platform, but we can all say that we support bodily autonomy, a person’s right to choose. That is a simple, yet, powerful statement to state publicly. And, if you have more sway, then yes do what you can, because people are going to need a lot of support moving forward.

CHRISTI NOGLE: I haven’t been struggling to write, but at the same time I’m not sure how to express the worries that are raised by this ruling. It brings up oppressive memories from childhood, not related to abortion specifically but to the lack of freedom and being subject to others’ will, beliefs, and whims. Life felt very restricted when I was young. As I grew older, my own situation changed and it also felt as though the culture was changing in positive ways. Now it sometimes feels like that was all imaginary. A right that was established for my entire lifetime is gone. I feel shame for not acting and for having no clear idea of what to do. I imagine that I will work on finding ways to express these feelings of shame and powerlessness in writing. Fiction can at least help show people that these feelings are shared, that they’re not alone.

Statements of support for our rights are much appreciated, and I think it would also be productive for those in leadership positions to think about ways of helping us reach wider audiences. Horror writers spend time thinking about dread, fear, and suffering. Like other writers, we practice empathy by trying to imagine what our characters think and feel. These are the kinds of thoughts that can change minds when they reach the right people.

NICOLE WILLSON: I tend to do some of my strongest work when I am very, very angry about something political. I wrote the first draft of my debut novel in November 2016, and I think the female characters in that book had a lot more anger than they might have had the presidential election gone the other way. I wrote a novella in the period between the Supreme Court leak about Roe’s overturning and the actual ruling, and in this story, oppressed young women take their destiny into their own hands. I have seen a ton of anthologies prompted by the overturning of Roe v. Wade; I’d love to write something for one of them if I can choose one and maintain my focus.

As for what I’d like to see people in the genre do, I’m in complete agreement with others that I’d like to see people who plan future conventions please consider not locating them in states that have banned abortion. I totally understand that these states have residents who don’t agree with this ruling. As someone who lives in a state that’s perennially teetering between blue and red, I can sympathize. But I don’t want to support those state governments with my money.

LAUREL HIGHTOWER: I already write a lot of angry feminist horror, particularly in my short stories, as a method both of catharsis and demonstration. Often times men don’t recognize just how different and dangerous it is to be a woman, and at times I’ve been able to communicate to them in a way that clicks through stories. At the moment, I’m polishing a novella I dashed off in about 4 weeks, which doesn’t deal with any of these themes at all. I desperately need distraction, and thankfully immersing myself in fictional worlds I control has saved me. I’d never have written it that fast just poking along at my usual speed.

As far as seeing support from those in the genre, the things that have bolstered me the most have been unequivocal, loud, and strong statements of support. We’re dealing with state sponsored, misogynistic murder along with a complete disregard for bodily autonomy. Neutrality is murder. Silence is complicit. And though I’ll never stop screaming until we get our rights back, ALL of us, I’m emotionally and physically drained. When an organization makes us do the emotional labor of convincing them that these rulings are hateful and vicious, I don’t want to spend any of my time or energy interacting with or supporting them. If you can’t take a stand on this, then I know you for my enemy. (A caveat here for individuals—not all of us are free to voice our opinions online, because of jobs or other concerns. I want to make it clear that I don’t expect that, as we all have to survive, and also some folks just can’t keep cycling through these emotions. No one should be shamed for not posting about it.)

I’d also like to see more concrete actions such as boycotting giving money to states that deny uterus owners rights, refusing to do business with or support publishers or other businesses who come out in favor of this abortion of justice, and taking the lead on organizing ways to help those members of our community in the most risk. I want to help. I want to be doing, but I don’t have the bandwidth to organize it, so someone who’s not suffering direct effects needs to point us in the right direction, show us where to direct this anger.

What’s your greatest fear right now? And also, what’s your greatest hope for where we can go next?

CYNTHIA PELAYO: My greatest fear is that people are going to die needlessly. My greatest fear is that people are going to have to be forced to carry pregnancies that they do not want.

There’s this belief by these reckless politicians that if you force someone to be a parent then they will be a parent, and that’s certainly not the case.

So, I fear what is going to happen to these people, will they hurt and harm themselves to terminate an unwanted pregnancy. I fear what is going to happen to unwanted children. I fear that emotional, physical and mental abuse that many people are going to experience. My greatest hope is that society will finally recognize the importance of bodily autonomy and a person’s right to choose and have protections in place for us.

CHRISTI NOGLE: My greatest fears are shared by many and are certain to be realized: that the court will take away further rights, creating crimes that will then be prosecuted in unfair and devastating ways; that people will die from complications of unwanted pregnancies and wanted pregnancies in which the fetus has little chance of survival; that forced pregnancy and birth will further traumatize people who have been victimized; that there will be those seeking profit and power from this; that dangerous medical misinformation will spread (e.g. the idea that ectopic pregnancies are viable or Todd Akin’s “If it’s legitimate rape, the female body has ways to try to shut the whole thing down”); and that many people’s lives will become more difficult and painful than they need to be. It’s not just a matter of going back to the oppressions of the past. We don’t know what it looks like to impose these rules on people in 2022; some results we can fear, and others we don’t even know to fear yet. They’re unpredictable.

NICOLE WILLSON: My greatest fear is that the Supreme Court is going to keep rolling back rights for vulnerable people. We all know that’s precisely why this particular slate of judges has been assembled over the past few years. I’m especially concerned for my trans friends.

My greatest hope is that people will start becoming more active in elections at the local and state level as well as the national level. We won’t be able to fix the damage this ruling has already caused overnight, but getting pro-choice officials elected to govern states could help stop the damage and loss of life that will result from this ruling.

LAUREL HIGHTOWER: I have two greatest fears—the most personal is that I’ll die as a result of this ruling, and leave my son without a mother. I’m 40, and my husband has chronic leukemia. The medication he takes will literally mutate the DNA of anyone not suffering from CML, to the point that my son and I can’t go near the package, or touch the gloves my husband uses to retrieve his pill everyday. If I were to get pregnant, there’s pretty much zero chance it would be viable, but I’d be forced to carry to term, or die trying. The idea of leaving my son is too harsh to even look at straight on, but there are people who are cheering it on. Fuck them.

The second is related to the first—I want to hand a better world to my kid and every other kid. They deserve that, they deserve their chance at happiness, and the idea that uterus owners coming up behind us will be limited in this disgusting way is soul-crushing.

My greatest hope is that as a people, we’re now motivated enough to take the actions that will break the political yoke we’re struggling under. Roe v. Wade wasn’t codified, and in my opinion that’s because it’s long been a stick for the Democratic party to threaten us with. Aside from just this ruling however, our trans brothers and sisters are at higher risk than ever. LQBTQA+ folks are seeing their rights and existence being trotted back into the dark ages, and we haven’t come close to taking the actions necessary to take care of our BIPOC members, either. Enough of this. Enough of letting anyone else set the narrative, dither and argue over whether humans have human rights. That’s not their call, and frankly anyone who argues that should automatically be disqualified from any position of power, including managing any store or business.

Fuck half measures. Fuck being grateful for the crumbs these psychopaths drop from their table for us after making us beg. They don’t decide who’s human—we already know we are. I want to hand a world of love and compassion to our kids. I pray for it everyday.

Tremendous thanks to this week’s featured interviewees!

Happy reading, and happy fighting back against fascism! Also, please get out and vote! It’s our chance to make our voices heard!

Looking Back and Moving Forward: Part Three in Our Pro-Choice Horror Roundtable

Welcome back for part three in our Pro-Choice Horror Roundtable! As I’ve mentioned before, this is an ongoing series on my blog, as affected authors in the horror community discuss their reactions to the loss of Roe vs. Wade. For each installment, I invite a different set of writers to share their stories and reactions to this historical and devastating setback in human rights.

And with that, I’ll let this week’s interviewees take it away!

There are so many things to talk about right now, but first and foremost, how are you doing personally? How has the overturning of Roe affected your life so far? How has it affected your family and friends?

JOE KOCH: Thank you for asking, Gwendolyn! I am equal parts unsurprised and shocked; exhausted and charged up to fight. It’s a bit like PTSD. As a person with a former career in reproductive rights, I’ve seen the anti-autonomy activists work on controlling the language about bodily autonomy in the media and use savvy lawyers to whittle away at human rights at the state level all across our country for decades. Over twenty years, I saw laws passed imposing parental consent, adding burdensome waiting periods, and forcing patients to undergo unnecessary and expensive medical tests with all sorts of bureaucratic hoops to jump through simply to access basic healthcare. All of these things target less privileged patients the most.

Advocating for patients and being ready to fight was my everyday life for years! My nice little white collar job involved walking past protestors,including a guy with an assault rifle because I lived in an open-carry state. I listened to stories from patients about how they got pregnant and why they didn’t want to give birth, stories they were terrified or ashamed to tell anyone else, and held space with their grief, secrets, joys, and fears. It was deeply gratifying work, but also immensely stressful. I guess I rather foolishly expected to put some of that stress behind me when I left the job,but the overturning of Roe has brought it back with a sense of urgency.

So, I’m tired, I’m ready to fight, I’m worried about all the younger people I know who can get pregnant, and I can’t believe this is our world now.

ERICA RUPPERT: I’m incredibly angry at the injustice of it all. Even though I knew it was coming, the news hit like a punch in the gut. I’m already through menopause, so the stripping away of Roe doesn’t have any immediate affect on my life. But that doesn’t make it any less terrible. My family and friends are largely in the position I’m in–personally unaffected but horrified just the same.

I’m attending protests, contacting my representatives, and volunteering in postcard campaigns to try to prevent the worst of it. I hope it works.

LISA MORTON: It’s terrifying, and infuriating, and tragic, and of course those are all emotions that can be very distracting. The pandemic already knocked me off my writing game for the last two years, and now this…my family and friends all share my concerns, in part because we can plainly see that this is just the beginning of what this court will try to do. Unless you are a cishet white male, your rights are now open to the interpretation of six judges who don’t share your values, or the values of most of the people in this country.

I grew up mainly in the 1970s, with a single mom. We naively believed that the ERA would pass and that my mom would finally have a chance to be paid the same salary that her male co-workers were receiving, that maybe she’d be able to get a simple credit card, and that I might enter the workplace with those rights guaranteed. We were gutted when the ERA didn’t pass, but at least we had Roe v. Wade. Now we don’t even have THAT. This is one of the few times that I’m glad my mother, who suffers from severe dementia, can’t understand what’s happening.

MARIA ALEXANDER: I don’t know a single person in my close circle that isn’t devastated, outraged, and worried about not just the pending deaths and dehumanization of uterus-bearing folx across the nation, but also about the other freedoms we’re about to lose. Because this is just the beginning. The loss of the right to privacy affects many other rights we’ve previously held, including the right to marry. Now anything that the extreme right-wing SCOTUS members thinks is “deeply immoral” can be rescinded as a right, damn the precedent.

VICTORIA DALPE: I think I am still in a bit of shock. I have personally argued over the years when others have voiced concerns over Roe V. Wade being overturned that it would never happen- that it was too popular, that it would be so crazy and unprecedented (how tired I am of that word being bandied about these last few years, and yet…) So I think at present, I just feel out of time and space, this is a huge blow to women, to families, to society and it hurts me someplace deep inside. There is such a rage there for the voiceless, for the ignorant knee-jerk holier-than-thou bullshit, that ignores the very real complications of pregnancy and body autonomy. As far as family and friends think a lot of the same, we are just wandering around like zombies filled with impotent choking rage. I live in a state with protections and don’t worry so much for myself, or my immediate friends/family. But that only fuels the fire when people (mainly men) have said, it’s no big deal your state will be fine, to which I must reply it’s not about me, it’s about all the people out there who won’t be fine, that is why I am mad, that is why we all should be mad. This is about making the vulnerable more vulnerable, about worse birth and maternal outcomes, about poverty, and about suffering. We should all be fucking pissed.

STEPHANIE M. WYTOVICH: Honestly? I’m pretty much a ball of rage these days, but I don’t think most people would see that (unless they’re living with me day-to-day). I had my first child in January of this year, and it was something I thought about and prepared for for years, and while being and becoming a mother is one of the most beautiful, transformative, magical things I’ve ever done, it’s also the hardest, most traumatic thing I’ve done, too. I didn’t have an easy birth and my postpartum journey has been super difficult, but even after going through a pregnancy and birth that I desperately wanted, I’ve never been more liberal or pro-choice in my life. Pregnancy and motherhood is hard: financially, emotionally, physically, and mentally. You’re forced to deal with and break generational trauma that you didn’t even know you had (on top of the trauma you already knew about!), and then your body is different and healing and reshaping itself into something new that you have to accept and learn to love, too. Couple that with no sleep and raising a literal human who depends on you for everything? I can’t imagine pregnancy or motherhood being forced on someone who doesn’t want it with their whole heart and entire being. It’s not fair to the mother and it’s not fair to the child. No one wins and this country should be ashamed of itself.

Let’s go back in time to when we were all younger and had the basic human right to abortion. Do you remember when you first learned about Roe vs. Wade? How was reproductive justice introduced to you growing up?

JOE KOCH: I was reared in a Southern Baptist fundamentalist church for the most part. Abortion was unthinkable. You only heard about it happening when someone died, as if it was a very risky medical procedure, and yet as early as middle school kids were talking about ways to self-abort if they got pregnant. Yep, that’s where abstinence-only education gets you! These incredibly dangerous urban legend methods of home abortion were less heinous in our minds because The Abortion Clinic was portrayed as a sort of Mouth of Hell that would lead you straight into to the devil’s clutches, much like The Club, or the unspeakable horror of The Gay Bar.

This deep fear instilled in people is something I understand, and I was never surprised to see a patient come into the clinic looking like a hunted animal or to get in the exam room and freeze with fear. That’s why we have to talk about abortion and use the word abortion without shame and keep it safe.

ERICA RUPPERT: Awareness of abortions and where to get them was pretty common knowledge during my adolescence, despite the adult silence around it. We all had older siblings or friends who knew. The sex ed curriculum in my junior and high schools back in the 1980s did not mention abortion at all. We weren’t even taught about birth control until senior year. My mother was squeamish about the details of reproduction, never mind reproductive justice, so it was simply never mentioned.

I didn’t learn about the actual case until I was in my twenties, when Norma McCorvey became an anti-abortion spokesperson. And I didn’t really recognize or think about reproductive justice until Operation Rescue and Randall Terry began their terror campaign in the late 80s-early 90s. The arrogance and ugliness of their actions made me realize how wrong their position was.

Honestly, one of the strongest portrayals of the power of reproductive rights I encountered in my youth was in Fast Times at Ridgemont High. She decides an abortion is her best option, she gets one without interference, and she is not judged for her decision. Seeing that was empowering. That’s how it should be.

LISA MORTON: Mom managed a college bookstore, and all of her student employees were like family. She helped at least one of them get an abortion when they weren’t ready to start a family. I grew up accepting that abortion was a secured right available to all women to make their lives better.

MARIA ALEXANDER: I was raised in an Evangelical home. I never thought of abortion as a right. In fact, I never thought of abortion at all because of the emphasis on celibacy. It was never discussed, and I never saw anything on the news that I recall about it even being an issue. Back then, we all had the same news sources. Even my super conservative parents watched Dan Rather and 60 Minutes. They had no one stoking their misplaced ideas except themselves and their families.

This meant I was deeply anti-choice for a long time. I remember when I was in college and working at a lab as a receptionist. The other two women who worked in the office were talking about abortion one day, discussing the “dark days” before Roe vs. Wade. At first I said nothing. I sat at my desk, seething. Didn’t they understand that abortion was killing babies? Taking lives? One of the women discussed a doctor her mother knew back in the day who helped women by giving them abortions before it was legal. I couldn’t take it anymore. I finally spoke up. “But he was taking lives!” I said. “Those babies didn’t have a choice!”

The woman was quite patient with me, but very serious. “He saved those women’s lives,” she explained. “Some of them would’ve died. And those babies weren’t even babies yet. Have you ever been pregnant?”

Shaking with rage, I shook my head. But as upset as I was, something about her conviction and words about saving women’s lives touched me. Before my Jesus-shaped cranial wound finally healed, I read Susan Faludi’s Backlash, which revolutionized my point of view about everything that had been happening to women for the last 100 years. I couldn’t ignore what I had read. It changed me. I decided that, although I would never personally have an abortion, it was necessary that others had the option. Always.

Later, as I learned more about pregnancy and abortion, I decided it was definitely on the table for me personally. And while I never became pregnant, I have steadfastly believed in medical
autonomy for everyone for almost 30 years now.

VICTORIA DALPE: I’m kind of embarrassed to admit I really don’t have any formative memories of this, it just kind of always was. Dirty Dancing rings a bell, as well as some 90’s TV shows. I was raised Catholic, but liberal New England Catholic, so while my mother was anti-choice in a ‘save the babies’ sort of way, she very much felt it should be legal and no one should be forced to have a baby, or risk some back alley situation. We had a pretty robust sex-ed at school and a planned parenthood clinic in my small town, that one of my friends worked at in high school. When we were 14-15, one of my good friends got pregnant and we all emptied our meager savings and babysitting money to get enough for her to have the procedure. A little older, I personally drove more than one friend to get an abortion at that clinic in high school. So for me, abortion was just always an option.

STEPHANIE M. WYTOVICH: I honestly don’t remember, to be honest, although I feel like it was likely in high school. I remember learning about women’s rights then, but only vaguely. I grew up in a pretty small town and I felt like I was in a conservative bubble for the majority of my upbringing. It wasn’t until I went to college that the world opened up to me and I started getting a more inclusive and diverse education in history and world affairs as well as literature and art. In fact, most of what I know about reproductive justice came from studying art history (shoutout to Maureen Vissat—Art History is the best subject!). The following artists really helped shape and reshape my thinking to assess how I interpreted the female body, personal agency, and political autonomy: Judy Chicago, (“The Dinner Party”), Miriam Schapiro + Judy Chicago (“Womanhouse”), Barbara Kruger (“Your Body Is a Battleground”), Casey Jenkins (“Casting Off My Womb”), Tracy Emin (“My Bed”), Louise Bourgeois (“Spider”), Olivera Parlic (“Cactus”), and Carolee Schneemann (“Interior Scroll”). Of course, those are only a few of the many women I studied and whose art helped educate me, but I loved and continue to love the primal nature of how art was made, showcased, and performed by women in the 60s, 70s, and 80s; tangentially, there was also a lot of ecofeminist art happening then, too, (Ana Mendieta’s work is a perfect example here) and it continued to teach and speak to me about women, our bodies, our connection to earth and the universe, cycles, sisterhood, etc. Most importantly though, through these pieces and performances I learned that choice and autonomy isn’t only necessary but sacred.

If people are interested in reading more about feminism, some of my favorite resources that I like to recommend are: The Vagina Monologues by Eve Ensler, Witches, Midwives, and Nurses by Barbara Ehrenreich, Bad Feminist by Roxanne Gay, and Shrill: Notes from a Loud Woman by Lindy West. Plus, there are the two must reads: The Second Sex by Simone de Beauvoir and The Feminine Mystique by Betty Friedan.

Women, trans men, and nonbinary people are all an essential part of literature. How do you see this decimation of human rights affecting the writing industry and the horror genre in particular?

JOE KOCH: I think horror readers are an open-minded bunch. I’ve been surprised by how welcoming they have been to my transition, for instance. I think we’re working hard right now in indie horror to promote marginalized voices; I hope we keep pushing harder in response to the decimation of human rights. Writers brave enough to tell the truth in their stories, publishers marketing diverse books, readers and reviewers sharing widely — we can work together.

Because there’s a danger the bigger publishers will cave in to a perceived status quo and continue on as they’ve been for years, publishing a majority of white, privileged, cis authors whose lives aren’t as brutally impacted by the current rise of fascism. I say “perceived” status quo because I refuse to believe the average person really believes the government should decide what an individual can or cannot do with their body. I don’t think the average person is an intentional fascist.

ERICA RUPPERT: I think it’s going to be rich fodder for the horror genre. Really, what is more obviously body horror than this?

But if our rights are not restored and protected, I think it’s going to damage the diversity that makes literature sing. Own voices are incredibly valuable and irreplaceable. Unfortunately I can see more commercial, pop and mainstream writing opting to turn away from it as not profitable. The book bans are already happening, and publishing is a business. And I hope I’m wrong, but I can certainly see a resurgence of the ugly trope of evil, villainous gay and trans characters if basic respect for every person is undermined.

LISA MORTON: I’ve always believed in horror as a genre with great potential to be truly transgressive, to comment on the real horrors of the world around us, but I was always surprised at how many other writers dismissed approaching sociopolitical commentary in their work for fear of being “preachy” (my argument has always been that “preachy” was a result of bad writing, not tackling contemporary issues). I hope that more writers might feel enraged enough now to tackle these tough subjects in their writing, but I’m also concerned that they’ll fear the repercussions more and more. Too many books are already being banned, too many authors are already having a hard time making money, so are they willing to risk even more? At least women (and writers of color, and LGBTQ+ writers, and disabled writers) have made great strides in the genre over the last ten years or so; I hope many of them will use their incredible voices to call out these increasing injustices.

MARIA ALEXANDER: Certainly we should continue to see underrepresented voices — endangered voices — uplifted in publishing and in entertainment. But here too we will see a backlash. I personally felt it with one of my books, which has been banned in the conservative community where the Bram Stoker Award-winning story is set, just after Trump was elected. We are not helpless, though. We can organize not just politically but as small presses. Perhaps even as larger presses if the industry continues to see a hunger to right wrongs.

VICTORIA DALPE: Well, just like the pandemic-inspired dystopian apocalypse plague survivor fiction- I am sure there will be a glut of Handmaid’s tale, dystopian breeding, forced breeding, etc. type fiction. But that’s to be expected. I think there will also be a lot of good stuff written that channels the anger, the frustration, and the strangeness of suddenly having less authority over your body and being a second-class citizen in your country. For a lot of folks, this will be a wake-up call that these weren’t rights but privileges after all and can be taken away. That may be inspirational and ideally, fiction may be a place to give a voice to that powerlessness and rage. A platform for those that may lack power in their day to day lives.

STEPHANIE M. WYTOVICH: I always look to what’s happening politically in the world to predict trends in speculative fiction. For instance, when the attack on women’s rights picked up in 2014-2015, I thought we might start seeing the witch again because the witch tends to come out as a symbol and icon for women (and the queer community) during political duress (read Pam Grossman’s, Waking the Witch for more on that). After the 2016 election and into late 2019, we started seeing some trends moving toward dystopian realities and political horror, and I think we’re going to see more of that now, but with more of an intense, raw focus on body horror and gore; I also think we’re going to see more transgressive, thematically violent art, too. I mean, the fact is that banning abortions doesn’t actually ban abortions; it bans safe abortions, and it just makes it illegal for women to get the care and help they need. Women, trans men, and nonbinary people will die because of this decision, and in staggering numbers at that. No one wins when we can’t protect ourselves, make our own decisions, or feel safe in our bodies, and I believe that focus on safety and privacy is going to continue to be interwoven in literature from the next several years.

Furthermore, on a more individualized scale, I think there is going to be a lot of fear and concern wrapped up in traveling, attending conventions, doing signings, etc. depending on event locations. I hope when decisions are being made by those in charge that safety and concern for women and LGBTQ+ folks will be taken strongly into account.

What’s your greatest fear right now? And also, what’s your greatest hope for where we can go next?

JOE KOCH: Having fought my way out of that repressive evangelical upbringing, the thought of being under a totalitarian evangelical government and subject to its biological mandates might be one worst-case scenario I can conjure up to answer that. My grandfather fought with the allies in WWII despite having gone to school in Bremen, and this German heritage made me acutely aware from a young age that genocides happen, that prison camps exist, and that humans torture one another, and so I don’t rule any of this out as being possible in modern America. My imagination can go to infinitely grim places, so I’ll stop here!

My hope is we’re all a bit too spoiled by freedom, or at least the idea of freedom, to buckle under and watch the last century play out on repeat. I’m heartened when privileged people reach outside of their necessary comfort zone to stand up for others. That’s what we have to do. If you’re white, say something to your white friends about their macroaggressions. Take the extra step to welcome queer voices to the table. Do something about reproductive rights even if you don’t have a uterus. Recognize how you’re privileged and use what money or power you have to oppose the Christo-fascist movement in our government right now, because it’s growing. It’s coming for all of us.

I wish the supposedly liberal politicians who voice support for human rights would prove their words through action. I have very little hope they will. They seem like cowards, traitors to the population they claim to represent.

In practical terms, you can work with your local abortion clinics to push back against the overturning of Roe with petitions, protests, volunteering, and donating. Get in touch with abortion providers in your area. If you don’t know how to find them, go to The National Abortion Federation at prochoice.org for listings all over the U.S. and information about what you can do to fight back.

ERICA RUPPERT: My greatest fear is that now they’ve gotten rid of Roe, what other rights will be next on the chopping block. The current SC is full of religious/political radicals and they have already broadcast that multiple other rights will be fair game for them to “revisit”. Their eagerness to disenfranchise so many people for not being straight white men makes me sick.
My greatest hope is that we roar back and crush the radicals in the midterms by holding the House and flipping the Senate. To that end I’ve volunteered in progressive get-out-the vote campaigns in both my own state and in swing states, because I want to help make it happen. We’re all aware that this is not just about abortion. This is for all of us, and I think most of us will stand together against the gross injustices the right wants to inflict upon us.

LISA MORTON: We all know that SCOTUS won’t stop with Roe v. Wade; they told us they’re coming after marriage equality and contraception next. If the Far Right prevails in the 2022 and 2024 elections, there’s no question in my mind that the U.S. will slip fully into fascism. That will also drive a stake through environmental concerns (something SCOTUS also inaugurated in another recent ruling), so the planet will fall with democracy. My hope is that enough of us won’t be content with being a silent majority, that we’ll protest and write and vote. If we can pull that off…well, maybe we’ll even pass the ERA some mythical day.

MARIA ALEXANDER: My greatest hope is that we can organize and mobilize. Alexandria Ocasio-Cortez and a few other government officials are offering leadership, giving us points to follow so that we can throw sand in the cogs and break the machine. I absolutely refuse to fucking wring my hands and mope. I won’t sit in fear. It’s time to fight. Democracy is a many-legged animal. It’s more than just voting. Democracy has given us tools that we have to use to craft the country that we want, but right now we have to use those tools as weapons. No one has the luxury of sitting back and letting this continue. We have to organize and mobilize to start helping uterus-bearing folx NOW because it’s life or death.

VICTORIA DALPE: My greatest fear is that this is the tip of a very horrible and stupid iceberg. I am terrified that we will somehow be consistently outmaneuvered by gerrymandering, social media, and apathy into watching more and more of the world we have known and loved to disappear and be replaced by some on-fire, fascist, theocracy. I have a small child, I would like there to be a world for him to grow up in that isn’t total shit. My hope though and I am a realistic optimist most of the time, is that this is the last hurrah for a minority group (old white Christian Conservatives). They are aging out and they are losing members with every year and not gaining them back. They have planned for all of this, slowly taking power and holding it with big-picture long-term goals. The opposition needs to play this game as well, we need to lay the groundwork so that our values are protected long-term, and those that need the most protection, are provided for minorities, the disabled, women, children, and the environment, for example. I think there is a huge population of very angry, very smart, very left-leaning young people coming up and I want them radicalized and plugged into the government. We need to get the people to believe in their institutions again and the best way to do that is to join them. Become the system and correct it from the inside. I do believe that can happen.

STEPHANIE M. WYTOVICH: I feel like every day I wake up, the clock continues to turn backwards. I’m scared for myself, but I also recognize that as a white, cisgendered woman, I have privileges that others in my community don’t. For instance, I’m terrified for my friends and family and peers who are in states that are targeting their bodies and their freedom, and honestly, their right to safety exist and present as they choose, and on a larger scale, I’m truly very nervous for the state of this country and what it means for us moving forward because I don’t think this is the end; it’s very much just the beginning and it’s only going to get worse.

I’m also constantly thinking of my daughter and the world she’s growing up in where her voice and her body are constantly under attack. I mean, she’s six-months old and I was doing research the other day on the best bullet-proof inserts to put in her backpack when she gets older. WTF is that? I honestly feel so emotionally beaten down and it’s hard to summon the courage needed to fight every day, and make no mistake, it is an every-day fight. I’ve been talking a lot about this in therapy because I’ve felt a lot of guilt lately for not being able to get out in the streets and protest with my sisters and allies over the past year/year and a half, so for me, in the here and now, I’m focusing on education and art as my outlet to fight back and promote kindness, equality, safety, and choice.

I will say that my hope completely exists in the younger generations. These kids are FIERCE, and I love their energy. They honestly inspire me, and I think it’s them that are going to change the world. With that said, parents! Keep reading your kids books where children are empowered and making and promoting change. Raise them on books like The Hunger Games, Divergent, and The Maze Runner. Check out children’s books like A is for Activist, Baby Feminist, C is for Consent, Love Makes a Family, Counting on Community and Goodnight Stories for Rebel Girls. Empower them. Prepare them. Let them know that there is strength in their voice and in the heart.

Again, we’re all in this together. We have to be.

Huge thanks to this week’s featured interviewees for sharing their stories with us!

Happy reading, and happy fighting back against fascism!

Fighting Back: Part Two in Our Pro-Choice Horror Roundtable

Welcome back to my blog, and in particular, welcome back to our pro-choice horror roundtable! This is part two in our ongoing series, and I’m thrilled to welcome six new authors to this week’s discussion about abortion rights and the fallout of losing Roe vs. Wade.

And with that introduction, I shall let my amazing interviewees take it away!

There are so many things to talk about right now, but first and foremost, how are you doing personally? How has the overturning of Roe affected your life so far? How has it affected your family and friends?

SUMIKO SAULSON: As an African American, I worry about my family members. Black women (and other black people with a uterus) are 4 times as likely to die during childbirth because of medical racism, poverty, and lack of access to proper medical care. Additionally, all of the poor taste memes about how people can just put the children up for adoption ignore the fact that black children are overrepresented in foster care and less likely to be adopted. I think a lot of my friends are in a state of shock, completely overwhelmed, or infuriated by the decision. Also, there’s been a lot of racism expressed on social media in attacks on Clarence Thomas, and while I certainly dislike him, this again has created stress for me personally and other Black folks who are reeling not only from Roe vs Wade, but a slew of other recent Supreme Court decisions making it easier for police to abuse their power and authority and harder for people to sue for civil rights violations. My friends and I in the LGBTQ community are upset that the Supreme Court is threatening to overturn Same Sex Marriage, and although someone on my timeline made a bad joke about Clarence Thomas not wanting to overturn Loving vs Virginia because he’s in an interracial marriage, he and the rest of the Supreme Court are indeed talking about that as well.

ALEXIS D: I am terrified for the future of our country. America is founded on Patriarchy and White Supremacy, but the goal is to move farther away from those systems of oppression, not to recede deeper into them. This decision is one of the rare instances when rights have been stripped, rather than strengthened by SCOTUS. And that is very telling for what lies ahead. They’ve already announced that contraception and gay marriage are next on the chopping block. It’s disgusting that Christofascism is embraced in such a clear and deliberate way by the judiciary. And this decision came the very next day after Bruen, which said states couldn’t make their own gun laws. It’s just such a baldfaced, shameless sprint to authoritarianism. There’s an obvious endgame and the future is bleak.

One of my family members is a doctor and they have friends who have been instructed to deny patients medication for autoimmune diseases because they are abortifacients, so these people now have to deal with lupus and rheumatoid arthritis flare ups (Tear gas is an abortifacient, too, but cops are still using that on protesters who may very well be pregnant).

To get truly personal about this, I will say that if I hadn’t been able to have an abortion, I’d have a kid right now, getting physically and emotionally abused by their father. The thought that this is now the only option for so many people, to be forever tied to their abusers and to know that the children they are forced to have will be subjected to that too, is sickening. On that subject, it’s important to state that the leading cause of death during pregnancy is murder.

MARSHEILA ROCKWELL: I’m angry, of course, but also incredibly frustrated. I live in Arizona and I support all of our pro-choice candidates, I donate to organizations that provide access here (for as long as they can), and I always vote, but it still feels like I’m screaming into the void.

But I’m also Native American, and we’ve had our reproductive rights curtailed since colonization began, so when I see people say things like, “Put clinics on reservations” (which is impossible for a myriad of legal reasons), that makes me doubly angry/frustrated. NOW people care? Now that white people are losing their rights? I mean, I get it, obviously, but I hope people can see how even suggesting that just reeks of privilege.

So I’m basically a bundle of rage who hates everybody and everything right now, LOL.

LCW ALLINGHAM: I am absolutely not good. At points I can get away from this, distract myself and give focus to the good things in my life, of which there are many, but it is an effort to not let my mind drift into how all of those good things are in danger now because of the hateful radicals in our government. I find it has very much divided me from a lot of friends and family who can’t be bothered. It’s drawn the line and given me the strength to stop giving fucks to people who don’t have them for me, or other women in general. It has also put me in touch with some amazing people that I might not have connected with otherwise.

JOANNA ROYE: It hasn’t been great. I’ve had a lot more anxiety than usual and my depression has flared up but overall I’ve managed to keep it together. Though I have called an OBGYN to have my IUD replaced as soon as possible, just in case. I worry for the future and the immediate present. I have friends that are pregnant or trying. What if something goes wrong? I do what I can to support them, but there’s no way I can know just how heavy this is for them. Everyone I’m close to seems to be experiencing varying degrees of helpless distress.

BARBARA KRASNOFF: Since I am past menopause, the overturning of Roe will not affect me personally. However, I am furious — livid — that women younger than me will have to put up with the kind of crap that I demonstrated against when I was a teenager. I also have younger friends, relatives, and work colleagues who are dealing with this. And there are so many questions that need answers. Is it safe to use a period tracking app? What are the best organizations to support to help those women who live in states where they can no longer get proper health care? What is the best legislative way to fight this decision?

Where were you on June 24th when you learned that Roe had been overturned? What was your first reaction?

SUMIKO SAULSON: I was in San Francisco for a Trans Gathering before the Trans March on the first day of San Francisco’s LGBTQ Pride celebration weekend. One of my friends was thinking of skipping Trans Day and the Trans March to go and march in with the Reproductive Rights Rally, but when she looked it up, she found out that they’d already coordinated with the Trans March. And there was another march, a Socialists Rally, out protesting. So all three of the marches arranged to meet, combined, and then march down to the courthouse to protest the overturning of Roe vs Wade. That’s a couple of miles, and I stayed with the march for a mile and a half before my body was no longer up to the challenge. I think a lot of people in the mainstream aren’t aware of how important reproductive rights are for the trans community and the LGBTQ community in general. People in the LGBTQ community do have to contend with unwanted pregnancy, and not just those of us who represent the third letter, B. Lesbian-identified community members, trans people who have a uterus, and other queer folks who can become pregnant also lost bodily autonomy when Roe vs Wade was overturned. And for a lot of transmasculine people, there’s an additional issue of gender dysphoria when it comes to being forced to carry an unwanted pregnancy to term.

ALEXIS D: I was walking to work. Even though the decision was leaked a few weeks prior to being officially announced and Gaslit Nation (my favorite podcast for politics) warned that it was a certainty, you’re never actually prepared to hear it as something that is here and now and true and real life.

MARSHEILA ROCKWELL: I found out right before I was going in to have a fractured tooth extracted, so it will forever be associated with fear and pain and trauma for me (I loathe going to the dentist, and this guy was NOT gentle).

My gut reaction, though, dental horrors aside, was the same as when my 4 month old was diagnosed with cancer thirteen years ago – pure animal terror. Back then, it was because there was this alien thing that had my child in its clutches and I had absolutely no control over what it did to him – there was nothing I could do that would save him. This time, when the ruling was announced, it wasn’t my child in the monster’s clutches, it was me and every other woman in this country, including my trans daughter – and again, there was nothing I could do to save us, because I’d already done everything and none of it had worked. So, yeah, pure animal terror.

(My son is doing okay now, BTW. Relapse is always a fear, and there are always late effects from chemo, but he’s otherwise healthy and as happy as a thirteen-year-old is capable of being, LOL.)

LCW ALLINGHAM: I was home, with my kids. I felt betrayed, by my country, by the people I love who dismissed my concerns and evidence as overreacting and falling for liberal fear mongers, by every single person who wasn’t screaming at the top of their lungs. I still feel that way. It rises up to this crest of absolute fury and then crashes into despair, over and over and over. But you know, maybe I’m overreacting.

JOANNA ROYE: I was sitting at the kitchen table, taking a break from chores. I saw a bunch of chatter about Roe across social media and had that horrible moment of realization. I’d lost track of the days and forgotten that this was the Friday the Court actually handed down their rulings. I checked AP and BBC which were already flooded with fresh pictures of protestors. I had known it was coming but still… I raced through whether birth control is next, spun dystopias for how things may be in six years for my daughter, what this all means for my queer friends…On and on to the bleak horizon of how this will bleed into every other social sector as we complete our slide into theocratic-fascism. “What were you hoping for? What did you expect?” kept ringing in my mind. I leaned back in the chair, folded my arms, and dissociated.

BARBARA KRASNOFF: Well, it wasn’t like it was a complete surprise — we had been warned that it was coming because of the leak that Politico exposed on May 2nd. However, I think that, once that first shock was over, many people wanted to hope, “Maybe not. This was not the final decision. Maybe they won’t do something this awful.” I was pretty sure that the deed was done, but who knew? So I waited.

As a horror writer, how do you feel like this ruling will affect your work? Are you struggling to write? Will you incorporate these themes into your writing more? Also, how would you like to see people in the genre, especially those in positions of power, do better in terms of supporting us during this crisis?

SUMIKO SAULSON: I’m someone who has had to deal with trauma on a near-constant basis for large portions of my life, and as a result, writing is a way for me to process the trauma. Being unable to write is less of a concern than becoming manic – I am bipolar with psychosis and have PTSD – and staying up all day and all night pounding out work in a frenetic state that is not good for my physical or mental wellbeing. So I have been trying to really monitor my sleep, and take care of myself. I would like people in the genre to be a bit more mindful about who is directly impacted by the recent legislation. People directly impacted are processing a lot of grief right now, and I have seen a really large number of posts by women about how really gung-ho men are telling them how they need to feel about what just happened. A bunch of us are traumatized, and some of us need to recover. It’s actually OK for those of us with a uterus to talk about Stranger Things and not discuss the Handmaid’s Tale-type dystopia we’re living in for a while. Speaking of which – stop it with the creepy adoption memes. No one owes you a baby, and even the jokes about it are cringe. Clarence Thomas being a Justice isn’t a free pass for racism. I’ve had to block a couple of clods who had the nerve to call women who have abortions promiscuous. What decade are they living in? I’m guessing sometime back in the 1950s since that’s the decade the Supreme Court is trying its damnedest to drag us back to. I would tell those in power to write cautionary tales and see if that helps, but Margaret Atwood did that 37 years ago and this still happened. Still, I’m going to go with that. Write the best horror dystopias you can come up with about why and how all of this can go terribly wrong. I know I will.

ALEXIS D: I haven’t written much since the decision. I have been in a kind of adrenaline/anger/sadness/numb cocktail state and it hasn’t been great for my ability to focus. I’ve mostly just been rewatching shows I’ve already seen a thousand times and scrolling Twitter, reading about all the horrors that have already come from this ruling and those that are being anticipated.

I feel like in terms of horror writers as a whole, we are angry. And when people are angry, they have something to say. And a lot of great art can come from that. Rod Serling was angry about how people were being treated in this country and he created The Twilight Zone because of it. And I believe that had to have impacted the way people interacted with the world around them. Even if it’s just a handful, it still counts. I watched that show as a kid and I know it had an effect on me. Art is important that way. It frames the way we see and interpret real life.

People in power need to be vocal. They have a duty to be. Power provides a platform and that is a responsibility. If you are the person who represents a group of people, no matter how big or small, you better do right by them, or step aside and let someone who is able to meet the moment take the wheel. Complacency is complicity, and silence is a statement.

MARSHEILA ROCKWELL: Well, I’m writing this response after that whole kerfluffle with HWA issuing a nonstatement, retracting it after a storm of community anger, and finally proclaiming their support for a woman’s right to bodily autonomy, so there’s a perfect example of how those in power can do better (and a lot of other organizations/publishers stepped up and put out unequivocal statements of support without having to be pressured into it, which was nice to see). I’m also happy to see some bodily autonomy-themed horror anthos being put together, because as writers, that’s where our power lies and how we can make a difference – with our words.

Personally, I haven’t written anything since the ruling came out. I’m sure my fears RE: bodily autonomy and my revenge fantasies on those who take it will make it into my work at some point, but right now I’m still processing being turned back into property.

LCW ALLINGHAM: This is such a big question. First, I’m not sure this will affect my work. I have always been compelled to write pieces that examine the subjugation of women, how the patriarchy shapes them and how they take back their power. I started to hear that it wasn’t relevant, was overdone. With so much wrong in the world around me, I started to doubt myself and what I was trying to say. So, what is changing is that I decided I don’t care. I’m going to keep writing my stories. I’m going to keep screaming.

As an author I write in a lot of genres, but I started in horror, and I return to horror because it is how I control the monsters in the dark. I have already started to compile a list of ideas. I have a horror anthology my small press is putting out about feminine rage, and I am going to try to contribute a story to it. I have a horror novel I’m poking with a stick about motherhood and monsters in the patriarchy.

I hope that the horror community can step up and provide a light in the dark for its marginalized writers. That starts with listening to what female, queer, BIPOC, and trans authors have to say about this situation and not rushing to make spokesmen of those who still have all their rights intact. It starts by making horror a welcoming place for the oppressed and a dangerous place for the predators.

JOANNA ROYE: It has energized me, strangely enough. The instability of the future gives me a sense that I MUST finish my book while I can. The next few years are extremely uncertain, and that has summoned up a renewed vigor for completing projects. Right now I don’t have any stories that explicitly interact with the right to choose. In the future, though, bodily autonomy is a theme I look forward to exploring thoroughly.

As for leaders in this field, it does give me comfort whenever I see someone state their support of access to abortion. What does NOT give me comfort is vaguery. These days, if someone fails to make it exceedingly clear that they regard me as a person rather than an elaborately decorated incubation rig, I will not be assuming otherwise. It sucks that it has to be like this.

BARBARA KRASNOFF: To tell you the truth, I don’t think this will affect my work — unless I start to work more out of pure unadulterated anger. I had a great deal of trouble writing during the first couple of years of the pandemic, and I’m just now starting to become somewhat productive again. It’s possible that I’ll incorporate these themes into my writing, or not — I really don’t know. As far as support is concerned, those with public visibility can speak out and do what we all need to do: urge our representatives to oppose any laws that will negatively affect abortion rights and women’s health; support candidates who will work on a local and national level to fight against these laws; and contribute what they can to organizations that will help women trapped in the states enacting these laws.

What’s your greatest fear right now? And also, what’s your greatest hope for where we can go next?

SUMIKO SAULSON: What concerns me the most is that the current Supreme Court is not that old. The oldest current member, Clarence Thomas, is 74. The three Justices appointed by Donald Trump are in their 50s now. We could easily be stuck with them for another 20 to 40 years. We can’t hop back in a time machine and undo the damage that was done by allowing Trump to get into office in the first place. My hope is that the Democratic Party in Congress will do an in-run around the Supreme Court. Some new iteration of Women’s Health Protection Act of 2021. Several states are amending their state constitution to protect abortion rights at the state level, but that won’t protect the most vulnerable. I hope that people will be out in the streets marching, raising hell, and demanding justice.

ALEXIS D: My greatest fear right now is that it really seems like the Christofascist takeover has arrived. They’ve already put in place all the apparatus they need to ensure Right Wing domination over our country. Next term, SCOTUS plans to hear a case that could alter election laws, changing how much power state legislatures have over elections. Who even knows what will happen between now and then, though? If abortion is a felony, and in many cases miscarriages will be treated as such, that person can’t participate in the democratic process anyway. It’s hard to say what scares me most, but I’m scared. We should all be scared.

The time to act is now, and establishment democrats who are completely out of touch with the current political climate, and fetishizing bipartisanship at immeasurable cost, are not acting. They have occupied their positions for so many decades that they feel as though those roles are promised. We need more AOCs and less Pelosis. Right now, AOC gives me more hope than pretty much anything. It’s important to feel like the people in charge are looking out for you, which echoes back to the previous question about our leaders in the genre and their response to this ruling.

As far as horror writing goes, it has been comforting to see a practically unanimous response from the community. So that gives me hope, too. It’s hard to look at yourself and think, “I can make a difference,” but we have to believe that in some way, even if it’s small, we all do.

MARSHEILA ROCKWELL: My greatest fear is that this is only the beginning of what we as women (and people of color and the LGBTQ+ community and the disabled community and, and, and) are going to lose. My greatest hope is that this can all somehow be reversed. (And after that, we get our land back, but first things first.)

LCW ALLINGHAM: My greatest fear? That everyone who cares will stand idly by wringing their hands while our rights burn.

My great hope is that we’ll be the fire and we’ll finally take what has been denied to us for far too long.

JOANNA ROYE: Despite how outlandish it sounds, I really worry the most about a hot Civil War. I love where I live, but if violence breaks out, we’ll almost certainly have to move abroad for our children’s safety. Secondly, I worry about how many other precedents were overturned on 6/24 in the shadow of Dobbs. Decisions that rip the last few teeth from the EPA, threaten Tribal sovereignty, encourage gun sales, and protect cops from being held accountable when they violate citizens’ rights (re: Mirandization). It’s a grab-bag of regression. And this is before we even get to Clarence Thomas’ remarks about “reexamining” cases like Obergefell, Griswold, and Lawrence.

In contrast, my greatest hope is that (against all odds) enough politicians currently in office would actually take direct action to codify abortion rights into federal law. I feel there’s only a microscopic chance of this but, that’s what hope is for, I guess. Realistically, I plan to do whatever I can to help the people I can reach. This is the time for our nation to correct its course and recommit to protect the rights of all its citizens instead of just the lucky few.

BARBARA KRASNOFF: My greatest fear is that this is only the beginning — that this Supreme Court will continue to turn out decisions that will erase more federally-mandated safeguards, thus eroding more and more of the rights that we’ve enjoyed since the middle of the 20th century. I dread the possibility we will continue to lose what gains we have made supporting the rights of women, POCs, LGBTQ+ people, and others; against the destruction of our environment… the list goes on.

Where can we go next? I think we have to look at the long term: make sure enough Democrats (and even reasonable Republicans) are voted in so we don’t find ourselves in this position again. There are other possibilities: a larger Supreme Court, for example. And the continued activities of all of us to push for change, even when it seems like nothing is changing.

Thank you so much to my six featured authors in this week’s roundtable! Once again, I appreciate the writers in our community sharing their thoughts about abortion rights. 

Happy reading, and happy fighting back against fascism!

From the Ashes: Part One in Our Pro-Choice Horror Roundtable

Welcome back! Today is the start of something very special to me. This is part one in our Pro-Choice Horror Roundtable series. In each installment, I’ll be featuring  a group of horror authors as we discuss how the fall of Roe vs. Wade is affecting us, both personally and professionally. This will be an ongoing series here on the blog for the rest of the year and possibly even stretching into next year.

So with that, I’ll turn today’s interview over to this week’s six incredible authors!

There are so many things to talk about right now, but first and foremost, how are you doing personally? How has the overturning of Roe affected your life so far? How has it affected your family and friends?

JO KAPLAN: I feel sick that the bodily autonomy I’ve always taken for granted is being snatched away, but I’m lucky that I live in California, and my family also lives primarily in states where abortion is not being banned. But just because this isn’t legally affecting me doesn’t mean I can shrug it off. That’s, unfortunately, something you see a lot of these days: this inability to care about things when they don’t affect you personally. It’s depressing that there are so many people in this country who just lack basic empathy, who can only empathize with some pure, idealized notion of the “unborn,” rather than actual living, breathing human beings. The mental gymnastics people go through to argue that a ten year old should carry a pregnancy to term, or that women are somehow idiots or villains who wait eight months before deciding to have an elective late term abortion rather than it being a medically necessary last resort for wanted pregnancies—it makes me feel like I’m going crazy.

ZIN E. ROCKLYN: While overwhelmed, I’m also angry. I knew this was going to happen when the doc was leaked but it was absolutely disheartening for the final decision to be passed. I recently moved to Florida to help take care of my mother who has dementia (even she, a hardcore, Bible-thumping Christian, is pissed) and I am incredibly nervous for myself while straight up scared for other birthing folk, especially the poorest of us. The stigma and continued, persistent ignorance surrounding birthing folks’ reproductive health is more than a concern, it’s a crisis. Friends have already had their life-saving meds denied due to these misconceptions.

MEGAN HART: I am furious. Even knowing it was on the horizon didn’t prepare me for the utter betrayal and outrage I feel now that it’s actually been overturned. I, personally, am unlikely to ever need an abortion again, but I’m livid and horrified for all of those who still will need to make that choice — and have no choice to make.

JANET JOYCE HOLDEN: Personally, I count myself lucky at this particular time that I’m post-menopausal and no longer able to give birth. However, I’m acutely aware of how an important means of healthcare has, in some states, been rudely stripped away. A lot of my friends are in a state of shock, and rightly so.

LYANA RODRIGUEZ: Personally? I’m about as fine as a log thrown into a wood chipper. I think part of the problem is how much this decision is affecting me and not my family. My father, older brother, and nephew, all cis men/boys, don’t seem to display any personal attachment to the issue. My mother, post-menopause, seems mostly glad that it didn’t affect her own life during her marriage with my father. Her continuing response to my concerns has been, “Things change! Things always change, you’ll see, it’ll be back to what it was one day!”

It’s the most out of touch reply I’ve seen so far. None of them seem to understand that this directly affects me the most. I’m twenty-seven years old, I’m bisexual, I’m Latine which means I’m highly fetishized by a lot of people, and I’m in the process of questioning my gender identity. I walk into work, and I wonder at how fast we become desensitized to it. We’re all expected to just keep going as if everything’s normal as fascism creeps in? Really? That’s the “adult” thing to do here?

CHRISTINA LADD: I wake up every morning just a little bit nauseous, just a little bit more scared, and just a little bit angrier than the day before. I try to exist one step removed from everything, focusing only on my job or projects to get through the day, but when I tune back into the Roe reality, all those feelings rush back. I am tired with such a fury all the time. I don’t have a word for this angry exhaustion. Maybe it’s not a word. Maybe it’s a story. Maybe it’s all the stories that come after. I don’t know. Almost everyone I know is in the same place; we just keep expressing the same despair to one another over and over again.

What has Roe vs. Wade meant to you personally?

JO KAPLAN: I’ve grown up with Roe vs. Wade as settled policy, and I’ve never questioned my control over my own body. I’ve never wanted kids. Though this is a personal choice, I can’t help but also think about it in broader terms. I think about the difference between centuries past, when people were having ten children with the knowledge that not all would live to adulthood, and today, when massive improvements in technology and medicine have reduced infant and childhood mortality, and lengthened lifespans. Back then, I think there was an evolutionary imperative to have lots of children. There were also way fewer people in the world. Now we have 8 billion people on this planet, and we cannot sustain continued, explosive population growth with our current infrastructure. So in a way, I think the world needs people like me who are opting out of reproduction. Having choice is good for me personally, but it’s also good for the planet. Unfettered growth is an unsustainable capitalist dream. The right-wing wants to keep churning out babies—the right kind of babies, of course—in pursuit of this ridiculous (and very American) idea that unfettered growth is the end-all be-all, without regard to the consequences of overpopulation. So, what Roe vs. Wade has meant to me personally is having equal rights and bodily autonomy, the opportunity to live my life the way I want, and also allowing everyone the power to make their own choices.

ZIN E. ROCKLYN: It is the final nail in the coffin of freedom of choice for birthing folk. Period.

MEGAN HART: I’ve never lived, consciously, without knowing that I could choose not to carry an unwanted or non-viable pregnancy. Being able to have an abortion has been a choice for my entire life. I’ve always been a strong and outspoken advocate for reproductive rights, even though it was something seemingly “set in stone.” I never took it for granted, but I also never thought that right would be torn away.

JANET JOYCE HOLDEN: Healthcare, choice, and a right to privacy regarding that choice. Plain and simple. It’s nobody else’s business.

LYANA RODRIGUEZ: For me, Roe was the law of the land for my entire life. I always had that reassurance in the back of my head when I got my first period: if anything happened to me, I at least have the right to get an abortion and keep my life on track. Even if people tried to block my way to a clinic, even if they shamed me for something out of my control, I had that choice. In a society where we put the onus so frequently on people who can get pregnant, usually including the most marginalized of genders, having that choice is tantamount to participation in a larger, public society. Technically speaking, Florida has the right to an abortion guaranteed in its state constitution, and a state judge ruled Governor De Santis’ recent fifteen week ban on abortion unconstitutional for that reason.

But this precedent, the overturning of such a huge case, only worries me about other cases. In a matter of months, my right to marry any woman I love could fall away from me. My right to a sexual relationship, even, with another woman could be subjected to on-the-books indecency and sodomy laws. Hell, that’s just in my own personal relationships. What happens should Brown v. Board or Loving v. Virginia gets overturned? Florida isn’t exactly the paragon of healthy racial reckoning. This would be a catastrophe for many Latine families living here in Miami. After all, a lot of Latine cultures didn’t have the same stringent “one-drop” rule that dominated the Jim Crow South and the racist North.

While it may seem like I’m going off topic, I’m really not. In the end, the choice to strike down Roe v. Wade is about snatching autonomy from the country’s most marginalized people and giving it to a bigoted, powerful state. It certainly won’t stop here.

CHRISTINA LADD: It meant freedom. And now it’s gone, and I have fewer rights than a corpse. I knew, intellectually, that this was always the case for some people when they saw me. Roe just meant that it wasn’t the law, those thoughts and feelings of others. Now those thoughts and feelings are the law. Roe was my shield, and now there’s so much less between me and the massed hordes of gibbering idiots, swinging their crosses at my head.

How do you feel the horror genre has responded to the crisis of losing Roe? How would you like to see people do better in terms of supporting us during this crisis?

JO KAPLAN: The people I know in the horror community tend to be conscientious, socially and politically aware people who genuinely want to help create a better society. I like to think the horror genre, through exploring the darkest parts of humanity, reminds us of what is most important to us, what we stand to lose, and what we are willing to sacrifice. I’ve already seen horror folks being vocal, taking a stand, creating charity anthologies with proceeds going to abortion access, and I want to see the horror community keep doing what it does best: using its voice and its willingness to delve into the darkness to push for a brighter future for everyone.

ZIN E. ROCKLYN: With the exception of the HWA’s shitty response, to see folks coming together for benefit anthologies and auctions is amazing. Folks of horror are some of the nicest people in the world and our response has affirmed that.

MEGAN HART: I can’t speak for the genre as a whole. The people I follow on social media all seem to have the same level of outrage and disgust that I do. I don’t need individual support from strangers, so it’s more of a broad desire to see people taking action to protest, support and try to make change to the loss of reproductive freedoms. (And human rights, in general.)

JANET JOYCE HOLDEN: I’ve seen the initial statements of support from various sources, and going forward, at the creative level, I’d like to see a shift away from woman and fetus used as a shock morality mechanism. How about aiming our Klieg light and pen toward the reckless impregnator, cocksure, striding through life, leaving behind a trail of blood and misery? One of the ways we use horror is to better understand ourselves, and this side of the issue is way overdue for a long, hard examination.

On the organizational front, should we move our conventions to abortion-friendly states? I realize some states might not turn out as bad as they’re painted once the legal dust has settled, but it’s worth looking into, for sure.

LYANA RODRIGUEZ: For the most part, the members of the horror community I follow are amazing. They’re so supportive and willing to listen to all my rants about the historical particulars of this decision. Nobody in the community that follows me or that I follow has called me, for example, “paranoid” or “hysterical” the way that so many people have done in the past. (To be fair, this is also true of the anarchist community, but I often find a lot of overlap in these two groups).

The “genre,” on the other hand, has a lot of work to do. I think you all know exactly what I’m talking about here. The HWA incident confirmed some of the worst fears many horror writers have about the big names in the community. It all originated from something so simple, too! Some of HWA’s staff decided to put up a sign stating, “We support women’s rights to choose.” Okay, cool, it’s not exactly inclusive of every single gender that can get pregnant and would be affected by the decision, but it’s not something that will get a non-profit any flak from the IRS. But nope! HWA leadership decided it had to go down. Furthermore, I’m convinced that the reasoning they gave is false. It wasn’t because of them losing non-profit status. They just don’t want to lose any money from more conservative donors. I call it the Bob Iger Special, personally. Thankfully, many other organizations, including several great indie publishers in the horror writing community, spoke out against HWA’s decision and came out firmly in favor of bodily autonomy. Several other horror creators branching outside writing and into film production, film reviews, and more also threw their hats firmly on the side of justice. That gives me a lot of hope, at the least!

CHRISTINA LADD: I’m glad to see the Brigid’s Gate anthology for charity, and glad to see a lot of interactions on twitter. I’m not sure if there’s more–I’m not super plugged in and could be missing a lot. I agree with your statement that I would love to see conventions refuse to do any business in states where abortion is prohibited. I’d also like to see more statements of condemnation, and just like so many websites have statements against transphobia, racism, etc., it would be nice if they included “the message of your work cannot be anti-choice/anti-abortion.”

What’s your greatest fear right now? And also, what’s your greatest hope for where we can go next?

JO KAPLAN: Unnecessary deaths, first of all. With the right to choose being taken away in many places, it’s a simple fact that more people are going to die, whether from back-alley abortions, ectopic pregnancies, or other complications leaving doctors unsure of what they can and can’t do. On a larger scale, my greatest fear is the christofascist takeover of our government and how that might fundamentally change our society—that the religious right will become the law of the land. My greatest hope is that these are the last desperate gasps of a dying political force and that the future will see a people who refuse to kowtow to antiquated and oppressive worldviews.

ZIN E. ROCKLYN: My greatest fear is to become pregnant. That’s it. There is absolutely no support in this country for so many things, worst of all being parents, single or no. Our greatest hope is a revolution and overhaul of how this country is run.

MEGAN HART: My fear is that this is the beginning. That the next target is birth control, the right to marry who we choose, the right to cross state lines, to worship as we please…to be honest, the future seems pretty dystopian and bleak, and I have a vivid imagination, so I can fear a lot of horror on the horizon. My greatest hope is that the people who do not believe in hatred and oppression can rise up and make ourselves known, heard and respected. That we can stop the march of this country into fascism.

JANET JOYCE HOLDEN: The fear is that we can’t turn this around. The hope is that our government will live up to its current promise and right the wrong at Federal level.

LYANA RODRIGUEZ: My greatest fear is pretty simple and possibly vindicated by history. My fear is that Americans will continue to allow this fascist creep to become normalized. Instead of organizing across demographic lines on issues we all care about, such as the climate, abortion rights, healthcare, wages, and rent, they will continue the “Vote Blue No Matter Who Only!” strat, refuse to criticize their leaders, and continue hoping for the return of normality that was ultimately never even really good for us anyways. Then the rest of us that actually hope for a better world just get to sit back and watch as we become the victims of a Christofascist state, our more centrist neighbors complicit in our ultimate victimization.

My greatest hope, however, is just what I proposed: organizing! It is nowhere as easy to do as it is to say, but we need to start doing that now. We have to get in touch with our communities and make them actually livable again. So much connects us here, and we all have so many of the same needs. Plus, once you get into the practice of listening to other people’s lived experiences, the differences that separate us are nowhere near as insurmountable as you might think.

Tips on how you might get started? I’d suggest dealing with two universals in the United States: housing and wages. The housing crisis is worse than ever, and ultimately, everybody no matter what requires shelter to live in. No matter where you live, I guarantee that you either have a mutual aid organization that focuses on building tenant power or a community that would jump at the chance for it. As for wages, we have to go the way of Starbucks: unionization. For those who primarily work freelance or have less sociable jobs, this can be a pain. However, I promise that, even in freelance, people are tired, angry, and want to form a coalition. Start small. Build up an email list, a discord chat room, or anything that can get you all together! And as for the topic that started this whole roundtable together, there are plenty of actions you can take. For starters, if you want to get into abortion rights long term, look up direct action groups in your own neighborhood. Brave fighters such as clinic escorts have been doing the work of clinic defense for years. Consider getting the training for that volunteer work and working hands-on in the fight for our rights. If your circumstances can’t get you that far, I recommend supporting abortion funds and travel networks. A good one is the Brigid Alliance. This organization specializes in getting patients in the most restrictive parts of the country the healthcare they need. This includes patients who are currently in the states affected by trigger laws totally banning abortion.

CHRISTINA LADD: My greatest fear is that there will be a war over this. Or that there won’t be, and that eventually every state will bow to evangelical fascism. That birth control and gay marriage are next. That I will be raped and be forced to listen to a bunch of lies that the criminal deposit of dividing cells has a heartbeat or fingernails or some other lie. That I won’t even be able to listen to those lies, because I won’t be able to get an abortion. I don’t have one fear. They all just chase each other around, ascendant one after the other without end.

My greatest hope is that we get universal abortion rights enshrined as a constitutional amendment, and while I’m at it, I hope we also get an equal pay act and full gender-affirmation rights for trans and nonbinary people. But more immediately, I want “The Lottery.” I want stories so terrible and essential that they imprint on the collective consciousness. I want cis men to be afraid, or barring that, I want more of them to understand our fear. I hope we can make them as afraid as they ought to be, as we already are.

Thank you so much to my featured interviewees this week! I appreciate so much that they shared their thoughts with us about abortion rights!

Happy reading, and happy fighting back against fascism!

Les Petites Morts: Interview with Hailey Piper

Welcome back! Today, I’m happy to be helping out with the promotion of Les Petites Morts: An Anthology of Erotic Horror Fairy Tales from Ghost Orchid Press. The project is currently up on Kickstarter and is over a quarter of the way funded already!

As part of this promotion, I recently interviewed contributor Hailey Piper about her story in the anthology!

What can you tell us about your new story in Les Petites Morts?

It’s a sapphic twist on the Greek myth of the sphinx, in which she’s sometimes offered sacrifices in lieu of riddle answers, and our heroine has become one such offering after getting on a king’s bad side for taking his queen’s attention.

Horror and eroticism have a long history of intertwining. What do you think is the draw of this particular subgenre? What are some of your favorite erotic horror stories and films?

I think horror and eroticism both indulge in visceral elements, and they make an easy couple. There’s both a seductive “wrongness” that draws some, wanting to see something they might consider repulsive, while for others there’s a freedom to indulge in the fiction’s fantasy, and that same thing seen as a repulsive element can instead be beautiful and alluring, which was how I approached scenes in this story, my novel Queen of Teeth, and other work.

As for favorites, Clive Barker really hits a sweet spot with some Books of Blood stories and the movie Hellraiser. I also love Go Down Hard by Ali Seay.

What in particular do you feel makes Les Petites Morts a unique anthology?

Focusing on fairy tales, folklore, and mythology for erotic horror both forces the erotic horror to dance with speculative elements of magic and monsters and sex within, but also invites the stories to play with foundational elements of our cultures, get into the tactile sensations of them, be that blood or other things. Plus I have so much faith in editors Evelyn Freeling and Antonia Rachel Ward, and a book of erotic horror is going to be a wonderful time. I can’t wait to read the other stories.

What projects are you currently working on?

I’m finishing up one of my queer horror/weird crime chapbooks for Death’s Head Press, and I’m getting started on a new cosmic horror novella, plus some short stories sprinkled around.

Big thanks to Ghost Orchid Press and Hailey Piper! Please consider backing this fabulous new anthology over at Kickstarter today!

Happy reading!

The Future Is Fierce: Part Four of Our 2022 Women in Horror Month Roundtable

We’ve nearly reached the end of March, which means Women in Horror Month is sadly almost over. But before this awesome annual celebration is done, let’s check in once more with our fabulous roundtable about their hopes for the future of women in horror as well as their own writing plans!

What’s your hope for the future of women in horror?

GABY TRIANA: That we will continue to kick ass. Stories by women show another side of humanity. It’s not just about having different body parts. It’s a whole alternative worldview that’s just as important as the mainstream white, male POV, and we are not all the same. My hope is also that women don’t have to fake writing in the style of men anymore to be taken seriously. They can be whoever they are—feminine, masculine, in-your-face, subtle, romantic, jarring, suggestive, intellectual, weird… whoever they happen to be—and still command the literary stage.

MELANIE R. ANDERSON: That books and stories and poems and scripts with new ideas and angles keep coming for us to enjoy (and analyze)! As an educator, I also hope we can keep sharing the stories of women in the past who got the ball rolling, so to speak, and whose names may have been forgotten.

LISA KRÖGER: I hope that women in horror find so much success that we don’t need a special month to highlight our work.

HYSOP MULERO: I kind of hope that women in the genre do some sort of crazy takeover, even if just for a season or week or a day. It would be amazing to see us collectively or even singularly transcend or kind of push horror into our overall literary landscape. In short, I want to see us create magnificent storms story by story and book by book.

EVE HARMS: I hope to see more BIPOC women in horror read and celebrated.

NICOLE GIVENS KURTZ: My hope for the future of women in horror is the inclusion of women from all demographics, especially Black and Hispanic women. I mean a full embrace and lifting up of those stories. I loved how Black Cranes won the Stoker last year. I would love to see works by Black women and trans women also find that level of recognition.

KATHRYN E. MCGEE: My hope is that women continue to do what they’re doing by creating great work in the genre. There really is an incredible wealth of brilliant art to be read and watched. I’d love to see horror by women become increasingly recognized. I’d love to see as many women in positions of leadership as possible, publishing horror books and producing, writing, and directing horror film and TV. Some of the most supportive, fascinating, and thoughtful people in my life are other women horror writers and I hope we’re all able to keep writing and achieve a broad audience. The future of women in horror feels very bright, indeed.

LEE MURRAY: What I hope, Gwendolyn, is that one day we shouldn’t need a Women in Horror month, that we won’t need to band together and scream, “Hey, we’re over here and we’re writing lovely horror” because we’ll already be visible. Because there will be a healthy coven of undead women writers who come to mind whenever the word ‘horror’ is whispered. A host of articulate women writers who are making a living writing horror and talking about horror. When, instead of being a subversive act, women writing horror becomes the norm and we are a welcome part of the horror landscape. I can’t wait for the moment when I’ll scroll to one of a myriad of horror sites on social media where the question “Who is your favourite horror writer?” is posted on a near-daily basis, and see women writers listed in the top ten comments, and not simply as an afterthought. In October 2019, Jeff VanderMeer (author of Annihilation and former co-editor of Weird Tales) wrote [this] post on social media.

Hear, hear, Jeff. I agree. Let’s have future top tens loaded with fabulous women writers of horror. How about Alma Katsu, Kaaron Warren, Gwendolyn Kiste, EV Knight, Kate Jonez, Thersa Matsura, Lee Franklin, or Kate Maruyama, for example? I could go on and on…

What’s next for you? What projects are you currently working on, and what work do you have coming out soon?

GABY TRIANA: The first part of 2022, I’ll be finishing my 5-book paranormal women’s fiction series, which I write under the name Gabrielle Keyes. After that, I have a new horror novel in the works. 1950s Havana, Cuba, haunted house on a hill, palm trees, family secrets, ghosts, a woman fighting societal expectations, a family of mobsters and sugar kings fighting for control, the Catholic church, witchcraft, those who dabble in both, history, psychological horror, and a monster or two terrorizing the island. Can’t wait to get started.

HYSOP MULERO: I’m currently going through another round of edits for a dark/horror middle grade manuscript that I’ve completed. I’m also in the process of finishing my second short story collection that will include the “This Is You” series and a few other pieces that I’m really excited about! Not to mention my thrill for “This is You on Lust” to be included in Pluto In Furs Volume 2 from Plutonian Press. I have a few other TBAs, and WIP’s for 2022! I plan on attending Necronomicon in Rhode Island this year, along with a few other cons and events. I’m active on both Instagram as @wordslinger.co, and my website www.threadedburlap.com should you want to check out my events and daily musings.

EVE HARMS: A lot of projects are in the works, but I’m trying to avoid talking about them in order to bottle up the excitement to propel me forward. I did recently have a short story published in the Monstroddities anthology by Sliced Up Press that is available on all of the major bookstores.

NICOLE GIVENS KURTZ: I’m writing the next Kingdom of Aves story. Mocha Memoirs Press is releasing two new novellas for Women in Horror Month. Sumiko Saulson’s Happiness and Other Diseases and L. Marie Wood’s The Black Hole.

MELANIE R. ANDERSON: I’m working on another project with my co-author and podcast co-host Lisa Kröger. And on the academic side, I recently finished up an essay for a forthcoming collection on Edgar Allan Poe. It’s about how contemporary women writing horror are revising Poe’s nineteenth-century take on the haunted house.

LISA KRÖGER: I’ve got another nonfiction book, called Toil and Trouble, coming out with Quirk Books in late 2022. Like Monster, She Wrote, this book is co-written with Dr. Melanie R. Anderson, who may be the best co-author around. I’m working with NYX this year to get out our second film festival, and we recently announced a partnership with Stowe Story Labs for a fellowship for women screenwriters who are writing horror and who are age 40 or over. I’m hoping to get a few other personal projects out into the world too. I’d love to do more fiction, or even write for a different audience, like Middle Grade or Young Adult.

KATHRYN E. MCGEE: I recently had a story, “Golden Hour,” accepted for publication in the forthcoming Chromophobia anthology, edited by Sara Tantlinger, which will be coming out later this year. The stories in the anthology all deal with the horror of color in different ways and are authored by women. I’m beyond thrilled to be part of this excellent group of writers. I also recently finished a draft of a haunted house novel I’ve been working on for several years that I’m hoping to publish soon. Otherwise, I’m writing a collection of horror short stories as well as a middle-grade horror-comedy novel.

LEE MURRAY: Thank you so much for asking, Gwendolyn. 2022 is looking set to be a busy year! I have a small (and hopefully helpful) workbook on Literary Goal Setting coming from Brain Jar Press, and Asian Ghost Stories (Flame Tree Press) for which I was Associate Editor will be published in February 2022; this comprehensive volume of ghost tales includes many of my favourite horror writers of Asian descent. I have stories coming in numerous anthologies, including “Thrall” a seafaring tale of supernatural and superstition in Grimdark’s The King Must Fall (edited by Adrian Collins), “Mooncake” a generational tale of cultural tension in Bad Hand Books’ The Hideous Book of Hidden Horrors, Hothouse Crush, a re-envisioning of Dracula as a demon fae in 1980’s girls’ boarding school for IFWG’s Dracula Unfanged (edited by Christopher Sequiera), and “Kupara and Tekoteko” a Kiwi retelling of Wilde’s The Happy Prince in Clan Destine Press’s Clamour and Mischief (edited by Narelle Harris). My novella “Despatches” will appear with novellas by Angela Yuriko Smith and Maxwell Ian Gold, in Someday, a volume in Crystal Lake Publishing’s Dark Tide series. The themes of Someday are war and mystery, and “Despatches” follows the observations of a war correspondent sent to Gallipoli in the Great War in a supernatural epistolatory tale. Also with Angela Yuriko Smith, I’ll be editing a collection of poetry and flash fiction by HWA members mental health and trauma for the upcoming HWA Wellness page—a rare honour which I’m looking forward to immensely. Angela and I are also excited to be editing Unquiet Spirits, a collection of essays by horror writers of Southeast Asian descent, with a focus on the influence monsters and spirits on perspectives of cultural identity. A follow up to both Black Cranes: Tales of Unquiet Women (co-edited with Geneve Flynn) and poetry collection Tortured Willows: Bent, Bowed, Unbroken (Christina Sng, Angela Yuriko Smith, Lee Murray & Geneve Flynn), the line-up for Unquiet Spirits looks equally stupendous and includes a foreword by Monster She Wrote co-author Lisa Kröger. The book will be published by Black Spot Books in 2023. And I’ll also be delivering the first of three fiction collections for Silver Shamrock publishing towards the end of 2022. I’m expecting the German language translation of my supernatural military horror Into the Sounds will be released in 2022, as will the Spanish version of my middle grade adventure Dawn of the Zombie Apocalypse. I also have a handful of exciting film projects on the go, which sadly I am unable to talk about yet. Aargh! In any case, it looks set to be a busy year…

Huge thanks to our eight fantastic authors for this year’s roundtable! It was so amazing talking with all of them!

Happy reading, and happy Women in Horror Month!

Terrifying Advice: Part Three of Our 2022 Women in Horror Month Roundtable

March is nearly over, which means once again, Women in Horror Month is getting ready to wind to a close. As I always say, it’s over way too quick!

But before the month slips away completely, let’s return for part three in our Women in Horror roundtable!

The last few years in the world have been challenging to say the least. How do you motivate yourself to keep writing despite the terrors and challenges of everyday life?

GABY TRIANA: Writing is actually how I think, so if I want to sort out thoughts or feelings, I write. This happens every day, whether it’s writing fiction or journaling or making lists that help me organize my brain. Either way, I write daily.

HYSOP MULERO: Overcoming the mental chatter between my ears combined with daily errands and responsibilities can make writing challenging on the best of days. I am a personal, albeit reluctant consumer of procrastination, and with that type of maladaptive behavior I utilize the “least is better than none” method. Sure, I have great writing days where the sun shines enthusiastically through my window and my coffee is prepared just right, and words are pulsating through my fingers, but more days than not I have to treat writing as yet another errand or task that must be done. So, I put away my grand notions of how this process should look or feel or how hot my coffee has to be and make myself put words on the page. Many many words. And the days that I do get to have the sun grace me with its light, and everything in the universe aligns for me to have a perfect writing day, well, those are the beautiful bonuses.

EVE HARMS: My priority is to keep writing enjoyable. I actually love every part of the process—researching, drafting, and editing—so if I’m not feeling motivated to write, I don’t. I’ve found if I let myself feel guilt around not writing, I rob myself of the joy of remembering how good it feels to write. This does mean that there will be months where I don’t put any words on the page, but that’s okay. And besides, the creative process requires rest to operate at its fullest. Even if I’m not writing, I’m usually still spending time in the worlds I’m creating and occasionally taking down notes about ideas I have for various projects.

NICOLE GIVENS KURTZ: I haven’t been as successful at this as I would like. I struggle every. single. day. One of the things I have found is listening to BTS and Tomorrow by Together (K-pop bands). Both groups offer songs of loving myself and how to handle the pandemic and its effects. They’re encouraging and uplifting, which helps repeal some of the darkness enough for me to find enough light to work.

MELANIE R. ANDERSON: When the pandemic started, my job became unpredictable, as happened for everyone. I had previous experience teaching a couple online courses, but shifting formats for all my classes midsemester was chaotic. Keeping a routine has remained difficult. And I had to limit my news consumption. I needed deadline extensions on a couple of academic projects. But, I think one thing that helped keep me researching and writing was that it was something I could keep doing, barring pandemic-related issues with getting resources. Another was that I had some control over that work, as opposed to everything else.

LISA KRÖGER: I’m not going to lie: it’s been hard. Writing is cathartic to me, so even when I don’t feel motivated, I often find that the act of writing helped me to manage my stress and anxiety. Plus, writing is a practice; it’s a muscle to exercise. I try to keep doing it, every day, even if I don’t feel particularly excited about it or inspired. I don’t try to hit certain word counts or write for any specific length of time, though. There’s too much stress in that, and we don’t need more stress on our lives right now. Sometimes, the act of rest can be the best remedy to writer’s block, so I’ve learned that at times, it’s okay to give ourselves some time and space to breathe and let our imaginations run wild. In times of high stress, one of the best things to do for your writing is not to set unrealistic goals. Take small steps towards your goals—those add up over time.

KATHRYN E. MCGEE: Writing has always been a way I deal with difficult emotions. Examining why I’m anxious, angry, or scared by putting a character in a fictional situation dealing with the same feelings helps me cope. When I’m caught up in crafting the plot, character, and technical aspects of storytelling, my worries become something else entirely and are not so overwhelming to me anymore. The pandemic has been a challenge, though. In some ways, I’ve used the daily horrors to fuel writing. I did publish one story, “Mondays Are for Meat,” that deals directly with the anxieties of the pandemic. However, now two years into this, the weight of it all is heavy. There have been periods of time when creating has felt impossible. Recently more than ever. While I usually write intensely, I’ve had to give myself permission to not write and just watch movies or go for walks. Some balance between a butt-in-chair mentality and being kind to myself and resting seems essential, right now, for creativity.

LEE MURRAY: See question 1.

For the past six months, I’ve spent a lot of time online in a zoom chat with my New Zealand colleague Grace Bridges, author of the Earthcore series. As well as being invalided to her room since June, Grace lives in Auckland, a city which has spent more than 121 days in lockdown in 2021 and most of that time from August. To help cope with the isolation, Grace and I have been working online together most working days. There really is something in that adage misery loves company. It’s like having a virtual office mate, although her afternoon teas, carried upstairs by her mum and her flatmate, look a lot yummier than mine! I also like to take walks with my darling, soak in our spa pool, read, cuddle my happy-zoomy dog, and watch movies with my grown-up kids (currently at home). Plus, I’m a baby painter of watercolours and, more recently, of acrylics. With the painting, unlike my writing, I try not to put too much pressure on myself to produce something; it’s more about the process than the product. Nevertheless, there is a lot to be said for the arts, and creativity in general, and horror especially, in providing solace in these stressful times.

What advice do you have for female horror writers who are just starting out in the industry?

GABY TRIANA: Make a name for yourself. Fight to be seen. The horror industry is very kind and inclusive, but it still takes a while for readers to get to know you and your work. Submit to anthologies; it’s a good way of introducing yourself in small bites to the community. Don’t be afraid of advocating for yourself if nobody else will. If people ask “what’s a good horror book by a woman author you’ve read lately,” and nobody mentions you, make suggestions but also mention yourself. At the same time, show a love and respect for the other women in horror, because they’re in the same boat as you.

HYSOP MULERO: Two things: Write about that monster that lives in your core. Whatever it is, regardless of the changes it may go through on the page, nothing will serve you better as a writer than to write about that ‘thing’ that has been placed inside of your belly. No one else has the ability to birth it. Further, keep submitting and falling and failing and reaching and grasping. The universe, the industry, and life are going to look at you and say: “Dammit, we have no choice but to help her now.”

EVE HARMS: Don’t listen to anyone’s advice. If someone says something that resonates with you, try it out and see how it feels. All of the rules about the writing process and industry simple don’t apply to every writer and piece. Engage with the community authentically and only work on projects that you are excited about.

NICOLE GIVENS KURTZ: Write what you want! Persevere. Publishing is difficult and challenging regardless of the genre.

MELANIE R. ANDERSON: I’m coming at this from an academic/nonfiction writing perspective–and I’m not a veteran in this space–but I’ll take a stab at it. I’m a big believer in how much reading all sorts of stuff can help with writing. And I think working on projects you want to work on is important. It’s really difficult to write about something you’re not curious about and invested in, especially if it’s a long project that you’ll be with for a while. I’m also grateful that I’ve found a few people who are willing to read and comment on drafts for me. Academics sometimes shy away from collaboration, but I’ve enjoyed co-editing and co-authoring. I think having that conversation going opens up creative possibilities.

LISA KRÖGER: Hone your skills. Don’t worry about publishing right away. Just write and write more. Have trusted people read what you write and get feedback. I recommend practicing with short stories (even micro shorts, under 1000 words) to sharpen your skills. Get comfortable with failure, and use each one as a moment to learn. Then, start trying to publish those better stories in the paying markets. It’s competitive, but I always find it helpful to keep me motivated to write more. If I get a rejection, I just try to write a better story the next time. It took me ten years to get a book contract, and it never gets easier…but I can’t imagine doing anything else. Don’t stop, keep going, and don’t give up before success comes.

KATHRYN E. MCGEE: I think it’s the same advice I’d give anyone starting out. Finish what you’re working on. Share it with people you trust. Get feedback. Take classes if you can. Read books on craft. Be open to learning and growing. Be open to changing your work to make it better. Read horror books all the time. Watch horror movies and TV shows. Immerse yourself in the genre so you know what it’s capable of. Perhaps most importantly, get involved in the writing community and support other authors as much as you can!

LEE MURRAY: Here’s the advice I gave in Tim Waggoner’s Bram Stoker Award®-winning book, Writing in the Dark (RDSP):

“Think of it like a Mad Hatter’s tea party. No room at the literature table? Sit down anyway. Take the rabbit hole to the underworld. Conjure shrink-grow monsters, evil queens, the perfidy of time, and lonely, spiralling madness. Choose chaos as a ruling principle. Ask the hard questions. Say what you mean. Talk when you want to. Debate the intricacies of language. Hide the bodies of your friends in teapots. Cut off their heads. Reference Poe. And drink more of the beverage of your choice.”

And that’s part three in our Women in Horror Roundtable! Join us again next week for the final installment of this year’s celebration of Women in Horror Month!

Happy reading, and happy Women in Horror Month!

Favorite Frights: Part Two of Our 2022 Women in Horror Month Roundtable

Welcome back for part two in our Women in Horror Month roundtable! I’m once again talking with these eight amazing female horror authors about their love of the genre.

So let’s hand the proverbial microphone over to them!

What does Women in Horror Month mean to you personally?

GABY TRIANA: I have a love-hate relationship with month-long celebrations. On one hand, it’s a fantastic way to highlight and introduce people to marginalized groups and authors that need more limelight, but on the other, we shouldn’t ever have to do it. Women are people just like anyone else—authors, artists, actors, directors, creatives who should be seen, read, examined, and celebrated at any time of year, just like our non-women counterparts. Same with Hispanic Heritage Month and Black History Month and Women in History Month. It’s a step in the right direction, but for me, the goal is to always be included. THAT SAID, I’m honored to be included and recognized alongside my talented peers.

HYSOP MULERO: Women continuously feed horror in ways unimaginable. It’s great to have a month that not only showcases and celebrates that accomplishment, but reminds us of both how far we’ve come and the road ahead. Personally, this is so necessary as I have a tendency to consume books and anthologies (I can’t get enough of those bite size stories!) whilst unintentionally being oblivious to the authors who, what, when and otherwise. Which is fine, right? I’ll answer that. It’s okay to fall in love with a story, but it would be unwise for me to simply enjoy and buy and read without acknowledging at the very least the responsibility I have as an author, writer, and woman. To be conscious of the space I inhabit and share; To notice the beautiful progressions and the very real deficits in the horror culture and community.

EVE HARMS: There are so many badass women in horror, and it’s a lot of fun to celebrate them and be reminded of their contributions. I’m proud to be among all of these incredible ladies.

NICOLE GIVENS KURTZ: Women in Horror Month fits in perfectly with my on-going mission to amplify marginalized voices in speculative fiction, particularly horror! From Mary Shelley to Tananarive Due, women have been writing terrific horror and we continue to do so. This month puts the spotlight on us, and I love it.

MELANIE R. ANDERSON: I think it’s great to have a month to amplify the work of all of the women creating in the horror genre now and to look at the history of women’s work in the genre, because they’ve always been there. Having a fixed time for readings and events brings awareness and can help diversify readers’ to-be-read piles. I always hope that the emphasis on women’s work during that month doesn’t go away as the next month begins. It continues for me, since much of my academic writing is on fiction by women, and I’m constantly reading for The Monster, She Wrote Podcast.

LISA KRÖGER: Women in Horror Month is a wonderful time to shine a light on women who are writing horror, but it also highlights the disparity in the genre space. Events and interviews, like this one, help readers to find their new favorite (female) writer. Unfortunately, I think the horror genre is still dominated by male creators. It’s not that the women aren’t out there—we are. It’s just that we don’t always get the attention in the public sphere. This month is a time when most horror websites and social media accounts are actively looking for and highlighting women writers—it’s wonderful.

KATHRYN E. MCGEE: Women in Horror Month is a great opportunity to acknowledge the awesome work by women horror writers. I think this month matters to me personally because I’m aware it hasn’t always been accessible for women to publish in the category of horror fiction. Even now, horror fiction by women may be called something else, relegated to other genres like dark fantasy or women’s fiction. Bringing the work of women horror writers to the forefront for a month helps raise awareness of all the fabulous creators and gives us more opportunities to grow individually and as a community. I find it inspiring every year to be able to celebrate the critical role women play in defining the genre.

LEE MURRAY: Let me start by quoting from my foreword in Daughters of Darkness, a collection of horror fiction by Aly Faye, Stephanie Ellis, Ruschelle Dillon and Theresa Derwin, which was released for Women in Horror Month 2021, and was the first ever title from Dark Angel Press, a small house dedicated solely to publishing horror women writers…

“Each February, when the horror community’s Women in Horror month rolls around, my social media feed erupts with a smorgasbord of excellent dark fiction from women authors writing gripping, suspenseful, entertaining, ground-breaking horror fiction—works like Daughters of Darkness. Yet, every year, those same posts are populated with the inevitable laments from readers who don’t see the relevance, the what-about-men folks, the why do we even need to celebrate women-in-horror people. The reason is quite simple: despite its quality, fiction written by women receives only a fraction of the attention of our male colleagues.

Danuta Kean, author of British study The Emilia Report (2019), found that women “aren’t provided with an equal platform to men upon which their work can be judged,” claiming that this is because social structures are “created in a way that militates against women being able to be recognised for their creativity.” From its very outset, the horror genre is no exception to this phenomenon, with Mary Shelley’s seminal work, Frankenstein, arguably the novel which spawned the modern horror genre, first published anonymously, albeit with a foreword by her more-famous poet husband.

This side-lining of women’s horror fiction is a trend that continues. For example, googling a ranker site for their latest results, I discovered that of the top 100 horror writers listed, only ten are women, and of those, only four are living writers [*checked again and nothing has changed]. If women horror writers aren’t rated, if they aren’t discoverable in the ‘noise’ of creative work clamouring for attention, then how are readers expected to find and enjoy their work? By extension, it seems clear that Terrence Rafferty’s observation holds true: “What can be said with certainty, though, is that women writers, even the best of them, have rarely made a career of horror, as the male luminaries of the genre mostly have.” (New York Times, 2008).

Nevertheless, women horror writers have persisted because horror writing is, in and of itself, an act of subversion. In the introduction to their Bram Stoker Award®-winning title Monster, She Wrote: The Women who Pioneered Horror and Speculative Fiction, Lisa Kröger and Melanie R. Anderson make the claim: “Women are accustomed to entering unfamiliar spaces, including territory they have been told not to enter. When writing is an off-limits act, writing one’s story becomes a form of rebellion and taking back power.” Hayleigh Donaldson highlights the barriers in her 2019 SyFy Wire article, Women Love Horror: Why Does This Surprise So Many Dudes? She writes: “So many things in life that [women] deal with daily are pretty horrifying when you think about it: the perpetual struggle against misogyny, the gaslighting by the patriarchy, menstruation and fights over reproductive control, questions over relationships, sex and marriage, the fears of child-rearing, and the smothering trappings of society-mandated femininity. Talking about any of these issues in public can be near impossible as the judgement and scorn can shut down the discourse before it’s even started. Which brings us back to Women and Horror Month…”

… a chance for me to blow kisses to all the fabulous horror sisters whose work I admire and adore, the subversive women who roll up their sleeves and create wonderful horror despite the odds being against them from the get-go. And to those wonderful souls who have kindly signal-boosted and supported my own small contribution to the genre. Women in Horror Month is a chance to applaud a dedicated sisterhood of talented creatives that has too long languished in the shadows.

What are some of your favorite horror books from the past year or two that were written by women?

GABY TRIANA: To be honest, I’ve had difficulty reading over the last year. I don’t know if it’s the pandemic, the fact that we’ve lost a few people we love, or that I don’t want to read anymore lately after a long day of writing, but my books-read count went way down in 2021. I did, however, love Queen of the Cicadas by V. Castro, Tender is the Flesh by Agustina Bazterrica, Children of Chicago by Cynthia Pelayo, and In Darkness, Shadows Breathe, by Catherine Cavendish. When a book can make my imposter syndrome flare up and make me question my own stylistic choices as an author, that’s a well-written book. 🙂

HYSOP MULERO: I’ve read so much this past year, to include a few favorites such as It Will Just Be Us by Jo Kaplan, Revelation by J.W. Munro and K.P. Kulski’s Fairest Flesh. I was first introduced to Kaplan by way of her short story “Wick’s End” published in the Haunted Nights anthology, and similarly J.W. Munro’s work, “I Speak For The Trees” published in It Calls From The Forest Volume 2. The beautiful audacity of Fairest Flesh blew me away, and as a result K.P. Kulski now resides on my “favorites” bookshelf.

EVE HARMS: Cirque Berserk by Jessica Guess, Lakewood by Megan Giddings, Earthlings by Sayaka Murata, The Worm and His Kings by Hailey Piper, to name a few.

NICOLE GIVENS KURTZ: Some of my favorites from the last two years have been, Lakewood by Megan Giddings, Telecommuting by L. Marie Wood, Reenn-You by Michele Tracy Berger, Root Magic by Eden Royce.

MELANIE R. ANDERSON: A few of my favorites by women that I’ve read in the past year or two are Silvia Moreno-Garcia’s Mexican Gothic, Darcie Little Badger’s Elatsoe, Quan Barry’s We Ride Upon Sticks, T. Kingfisher’s The Twisted Ones, and Louise Erdrich’s The Sentence, which is about a haunted bookstore and so much more.

LISA KRÖGER: I have become an absolute fan of Rachel Harrison and Julia Fine. Harrison’s book The Return is so much fun, and Fine’s The Upstairs House is a weird, terrifying look at the first months of motherhood. I also enjoyed Mona Awad’s Bunny, which is a creepy dark academia novel.

KATHRYN E. MCGEE: There are so many! I loved Lisa Quigley’s novel, The Forest, which deals with the challenges of motherhood in a folk horror context. Hailey Piper’s cosmic horror novella, The Worm and His Kings, is fascinating and mind-bending. Mackenzie Kiera’s novella, All You Need is Love and a Strong Electric Current, is an incredibly funny (and sexy) Frankenstein retelling. Tananarive Due’s, The Good House, which isn’t new in the last couple of years, but I read only recently, is an incredibly engrossing haunted house story with a perfect ending. Jessica Leonard’s novel, Antioch, is so deliciously weird and clever and exciting. Jennifer McMahon’s novel, The Drowning Kind, is immensely satisfying. Last but definitely not least, Sarah Langan’s novel, Good Neighbors, is an enthralling read about the horrors of suburbia.

LEE MURRAY: Despite recent global calamities, our sister horror writers have been highly prolific over the past year —a testament to the power of horror to offer solace. In fact, it has been difficult to keep up with all the gorgeous writing on offer. In 2021, I published Tortured Willows, my debut horror poetry collection with Christina Sng, Geneve Flynn and Angela Yuriko Smith, while also working on my poetry collection Fox Spirit on a Distant Cloud, the subject of my Grimshaw Sargeson residency, so poetry has been a key focus of 2021 for me, and that focus has kindled an even greater interest in horror poetry than other years. Our horror sisters did not disappoint. Consider these exquisite 2021 poetry collections, for example: Monstrum Poetica by Jezzy Wolfe, Strange Nests by Jessica McHugh, Victims by Marge Simon and Mary Turzillo, Kraken Fever by Angela Yuriko Smith and Kyra Starr, and Stark Naked by Silvia Cantón Rondoni. I’ve been lucky enough to have been offered some sneak peeks at collections coming in 2022, so look out for Stephanie Ellis and Cindy O’Quinn’s fabulous Foundlings, a tribute to master poets Linda D. Addison and Alessandro Manzetti, and EF Schraeder’s gorgeously sordid Judy Garland is Not a Sunrise, also a tribute, this time to songstress Amy Winehouse. I’m delighted to appear in Black Spot Book’s upcoming Under Her Skin (edited by Lindy Ryan and Toni Miller), a stunning collection of body horror poetry by some of the world’s most acclaimed women horror poets. It’s a work which has been gaining fabulous reviews. Under Her Skin includes my poem “Shameful” which is reproduced here by kind permission of the publisher. Cover art by visual storyteller, Lynne Hansen.

Shameful
By Lee Murray

he comes at me, my husband, her father
and I let him, too shackled by centuries
of quiet servitude. I am complicit in my demise
such is the resolve of dutiful daughters
my own leaking shameful down my legs
in a yellow sac of aborted hope and histrionics

bloodied organs on concrete leave a stain

I grasp at air for someone. Anyone. Spool
silent supplications into the darkness
with him hissing—you be quiet, woman!
I don’t know how I conjure her, the tree-dwelling ghost-girl
with her whip-dark hair and razored nails
and the tell-tale spike suppurating at her throat
when she steals gruesome from the shadows. I know her
from the waft of sweetly cloying frangipani

bloodied organs on concrete leave a stain

she slits him like a grapefruit with a finger
scoops still seething between her bloodied lips
stomach and spleen seasoned in their salty sauce, she shreds
his tendons. Wreaks vengeance on the pale afterbirth
she comes at me, my sister, my mother
feckless, she devours me, too.

bloodied organs on concrete leave a stain

More picks for must-read titles for 2022 include Joanne Anderton’s fiction collection, The Art of Broken Things (absolutely breath-taking prose), Tori Eldridge’s sweeping dark magic tale Dance Among the Flames, and Dana Fredsti’s fabulous cinematic supernatural romp, Hollywood Monsters. I cannot wait to see these feminist horror works fly off the shelves.

And that’s part two of our Women in Horror Month Roundtable! Join us next week for part three as we discuss these writers’ advice for new authors.

Happy reading, and happy Women in Horror Month!

Genre Geniuses: Part One of Our 2022 Women in Horror Month Roundtable

Happy Women in Horror Month! I’m thrilled to once again be spotlighting my Women in Horror Month roundtable. Every week for the rest of March, I’ll be featuring eight amazing female writers who are creating some of the creepiest and coolest horror in the genre today.

So without further adieu, let’s have them take it away, shall we?

Welcome to our 2022 Women in Horror Roundtable! It’s so wonderful to be talking with all of you! Please tell us about yourself and your work in the horror genre.

GABY TRIANA: Great to be here! My name is Gaby Triana. I write across the young adult, paranormal women’s fiction, and horror genres. I’ve written 22 books, published 19 under different pen names, and I’m also a ghostwriter of more than 50+ books for bestselling authors. In the horror genre, I gravitate towards a gothic, witchy vibe, setting my stories mostly in the less glamorous parts of Florida, exploring themes of religion, witchcraft, old world vs. new world, and haunting family histories.

HYSOP MULERO: I’m thrilled to be taking part in your Women in Horror Month roundtable! My name is Hysop Mulero, and I am a horror fiction author that writes primarily in the subgenre of the Weird. My work has a fancy for subverting normalized perspectives of emotions and moralities, as well as delve more often than not in those liminal spaces also known as the in- between. I’m originally from Manhattan, NYC but love calling Georgia home where I’m free to roam the woods at my leisure. I’ve been writing since I was about 9 or 10 years old. My mother had a tendency to keep me indoors and read me book after book along with copious amounts of fairy tales. I eventually left the house, but I brought the fairy tales with me. I run a modest blog on my website www.threadedburlap.com.

EVE HARMS: Thank you for having me! I’m Eve Harms, I write horror fiction, of course, and I also make zines. I have a fascination with the occult, esoteric knowledge, folklore and religion that I bring into my work. I also spent a lot of time in online archives researching these subjects and am a big supporter of the public domain.

NICOLE GIVENS KURTZ: I am an author, editor, and publisher. My most recent work, SLAY: Stories of the Vampire Noire is an anthology of vampire and slayer stories told from the perspective of those of the African diaspora. As an author, I write weird western and typically thriller, mystery speculative fiction. As a publisher, I publish horror works from marginalized voices as Mocha Memoirs Press.

MELANIE R. ANDERSON: Thank you for including me! I was born and raised in Kentucky, but I live in Mississippi now, where I’m an assistant professor of English at Delta State University. My research interests are in American Gothic and supernatural fiction. I’m the author of Spectrality in the Novels of Toni Morrison (2013). I have co-edited three collections of academic essays, one on the many ways ghosts can be used in fiction and film and two on the work of Shirley Jackson. I co-authored with Lisa Kröger Monster, She Wrote: The Women who Pioneered Horror and Speculative Fiction (2019). And I also co-host with Lisa two podcasts related to horror: The Know Fear Cast and The Monster, She Wrote Podcast.

LISA KRÖGER: I’m Lisa Kröger, a writer and producer. I work with the NYX horror collective, which works to promote women in the horror genre space. Our 13 Minutes of Horror film festival is for women writing and directing short horror films; it streamed on Shudder. I’ve always had an interest in horror, but my career began when I got my PhD in English, with a focus in Gothic novels. I was very fortunate to be able to write about horror, first in the academic realm and then in fiction and nonfiction. My book Monster, She Wrote, which won a Locus and a Bram Stoker, is a bit of a love letter to the genre.

KATHRYN E. MCGEE: Thanks so much for having me! It’s a pleasure to be able to participate. I’ve published horror short stories and am working on a novel. My fiction usually centers on female characters and has a strong psychological element. I’m interested in how the way we think plays into our decision-making and particularly how our sense of logic can become warped by societal norms—especially those regarding the expectations of women. In my day job, I work as an architectural historian, which involves researching and writing building histories. This often bleeds into my fiction, as I enjoy exploring how the history of a place can impact people years or generations later. I’m currently working on a novel that deals with intergenerational trauma manifesting in a creepy ancestral home.

What draws you to the horror genre? Have you been a fan since childhood, or did you find your love for the genre later on?

GABY TRIANA: I’ve always been a fan of horror, ever since I was four when I read Dr. Seuss’s What Was I Afraid Of. In it, the main character encounters an empty pair of pants hovering in the air in the dark woods, and I loved feeling terrified every time I opened it. From there, I fell into Poe and Stephen King pretty early, explored vampire lore in 3rd grade, and became a fan of Anne Rice in the early 90s. What draws me to horror is how darkness, mysteries of death and the afterlife, sexuality, secrets, love, and fear can all exist in the same plane as part of the same symbiotic relationship.

HYSOP MULERO: I can’t recall a time in which I didn’t love horror. Aside from my initial exposure to the lovely 80’s horror, and my personal favorite Wes Craven’s Freddy Krueger, (who still has the ability to disturb my sleep) the author John Saul was my initiator into the genre. The dread and depth and darkness that his work exposed clutched my heart and stomach since youth and has maintained its grip ever since. There’s something very ethereal about horror in all of its facets that is almost too ingrained into the fabric of life that makes it both easy and permissible, better yet obligatory, for exploration and art.

EVE HARMS: My older brother used to work in a video store, and he introduced me to horror through movies like Evil Dead, Dead Alive, and Troma Films at a young age. I was always a reader but my interest in horror fiction specifically didn’t begin until I stumbled upon The Secret of Ventriloquism by Jon Padgett. I read this shortly after a very traumatic event in my life and I found the sense of dread that the book gave me comforting. It was the only thing that was able to truly change my consciousness at that time, and though the state it put me in was “unpleasant” it was a safe space for me to go through emotions similar to what I was experiencing at the time.

NICOLE GIVENS KURTZ: Oh, I’ve been a fan of horror since I read, “Where the Wild Things Are” when I was kid. Max fascinated me, and as an only child at the time, running away to be “king of the wild things” appealed to me at times. My love for the genre grew as I did, being an 80s kid, slasher horror movies were huge as was Stephen King. It is a love that continues to bloom as I do.

MELANIE R. ANDERSON: I realized I was a fan of horror when I was in my 20s in graduate school at the University of Mississippi, but there was a history behind that epiphany. I had an interest in the supernatural and creepy stories since childhood. I read the Bunnicula series and Scary Stories to Tell in the Dark when I was young. I loved reading stories by writers like Ray Bradbury and Edgar Allan Poe in school. Reading “The Lottery” in middle school and then The Haunting of Hill House in college made me a Shirley Jackson fan, and I’ve since become a scholar of her work. And although my mom was, and still is, a fan of classic creature features, and we would watch them together, I wasn’t a fan of watching most contemporary horror movies. As a result, I didn’t think of myself as a fan of horror until I met friends in grad school who were, and I realized there are sub-categories of the genre that I enjoy. I’m still more into reading horror than watching it.

LISA KRÖGER: I’ve always been a fan of horror. When I was a child, my grandmother would let me stay up and watch old Vincent Price movies. My favorite was House of Wax. Growing up, I mainly read horror (rather than watching it), especially Christopher Pike and Edgar Allan Poe. I can’t tell you how many times I read The Dollhouse Murders by Betty Ren Wright when I was a kid. For me, horror has always been an escape—I still find it fun to be scared. Even now, it reminds me of being young and telling ghost stories with friends at a sleepover. More than that, though, horror is also cathartic. The world is a terrifying place, and horror allows for a safe space to explore the things that scare us.

KATHRYN E. MCGEE: My dad had an Edgar Allan Poe book on the shelf at home, and I read and loved all of Poe’s stories and poems as a kid and teenager. Otherwise, I mostly read fantasy, science fiction, and dark thrillers into young adulthood. It wasn’t until I was about 25 and going through a particularly hard time that I picked up Stephen King’s novel, It, and everything changed for me. I hadn’t felt so caught up in a story, not in that way, in years. Reading that book made the world around me disappear entirely and things really clicked into place. I’ve been reading horror and watching horror movies and TV shows intensely since then. Finding the genre has been a gift—more transportive for me than anything else.

LEE MURRAY: A child born in the 60s, I was raised on Pinocchio, Grimm’s Tales, and libraries of other allegoric tales meant to keep children on the straight and narrow, so perhaps there was an inevitability about my recent progression down the rutted road to horror, since I have never been the quiet sort, despite all the conditioning.

What draws me to horror is that the genre provides the perfect vehicle for capturing our basest fears and making them manageable. I don’t just mean our universal instinct to avoid disembowelling by rampaging prehistoric mutant monsters, but also those everyday anxieties, the little things that make us uncomfortable, the things that leave us with a “lingering disquiet”, to borrow Ramsey Campbell’s words. As YA writer Alexander Gordon Smith says, “Something weird happens when you write about your worst fears, even if you’re writing fiction. They stop being these unfathomably, impossibly huge things that hide in the shadowy corners of your mind. They become words, they become concrete—or, at least, paper. They lose some of their power, because when they’re laid down like that then you have the control.” As a nervous piglet sort who shoulders lots of anxieties, horror is the perfect foil to help me curb those fears.

And that’s part one of our Women in Horror Month Roundtable! Join us again next week as we discuss favorite book recommendations and what Women in Horror Month means to us!

Happy reading, and happy Women in Horror Month!

Cruel Summer: Interview with J.A.W. McCarthy

Welcome back for this week’s author interview! Today, I’m thrilled to spotlight author J.A.W. McCarthy. J.A.W has written numerous short stories which have been featured in publications including Vastarien, Apparition Lit, and LampLight among others. Her debut collection, Sometimes We’re Cruel, was released this week from Cemetery Gates.

Recently, J.A.W. and I discussed her inspiration as a writer and why she loves the horror genre so much.

A couple icebreakers to start: when did you decide to become a writer, and who are some of your favorite authors?

I’ve been writing for as long as I can remember. I started writing novels as a kid, always something dark involving ghosts and angsty teens. My mom would read to me and illustrate the stories with her own drawings, so she instilled those interests in me from the start.

I love Shirley Jackson and Angela Carter, of course. Jackson’s Merricat Blackwood in particular has been a big influence on my characters. As for contemporary dark fiction authors, I’ve found inspiration in works by Paul Tremblay, Hailey Piper, Michael Wehunt, Nadia Bulkin, Damien Angelica Walters, Mona Awad, and Silvia Moreno-Garcia, to name a few. We’re living in a truly rich time for dark fiction with so many excellent authors working right now. Yourself included! And Her Smile Will Untether the Universe is one of the best collections I’ve ever read.

Congratulations on the forthcoming release of your collection, Sometimes We’re Cruel! What can you share about the book? How did you select the stories, and is there a particular theme that connects them?

Thank you! Sometimes We’re Cruel is my debut collection, out August 17th from Cemetery Gates Media. It’s 6 reprints and 6 new stories that focus on obsession and body horror. The collection covers work from the last three years, each connected by the theme of human cruelty. I didn’t set out with this theme in mind; I realized later, as I was selecting stories, that almost all of my work deals with the terrors humans (and the not-quite-human) inflict on each other, intentionally or not.

Why horror? What in particular makes you love the genre? What are your hopes for the future of horror?

I’ve always loved horror and I can’t even pinpoint how that started. I was a voracious reader as a child and my parents didn’t limit my reading, so eventually I found my way to the darkness. Even when I was trying my hand at writing more traditional lit fic, dark speculative elements crept in. Maybe it’s a way to explore and understand why this world can be so awful. When I’m creating the horror, it’s the only way I have control.

I hope to see more women and BIPOC get recognition. We’re getting there, and I think our progress is best reflected in the indie horror scene.

What draws you to writing short fiction? Did you grow up reading short stories, or did you develop an appreciation for them as an adult? Also, what are a few of your favorite short stories?

Aside from fairytales, I grew up reading mostly long fiction. My first serious writing projects as a kid were novels. In fact, I struggled with short fiction as an adult. I’m long-winded, with a passion for elaborate descriptions. When I started writing again, I didn’t expect that I’d be able to write an effective short story. One day I got an idea I had to run with, not expecting it to be successful… but then it was. Before I knew it, short fiction was all I was writing. My critique partners have really helped me sharpen my prose so that I can not only stay within word count but also write with purpose.

One of my favorite short stories is Joyce Carol Oates’ “Where Are You Going, Where Have You Been?”. It’s a masterclass in using pacing and small details to build tension.

Recent short stories that lit a fire and inspired me:

“A Heart Arrhythmia Creeping Into a Dark Room” by Michael Wehunt
“Resilience” by Christi Nogle
“The Smell of Night in the Basement” by Wendy N. Wagner
“Though Your Heart is Breaking” by Laurel Hightower
“Hungry Daughters of Starving Mothers” by Alyssa Wong

What’s the most important lesson you’ve learned so far as a writer?

I have two: Aim High and This Is Not A Competition. When I first started writing short fiction, I didn’t do my research. I just wanted to see my work in print, even if no one else was likely to read it. Self-doubt told me I wasn’t good enough to get into any major publications, that my work wasn’t worth much money. While my early work was not there yet—I think most of us have to sharpen our skills and work our way up—I sold myself short in the beginning. There are so many indie publishers who are passionate, support their authors, and are doing amazing work on a shoestring budget. There is room for all of us.

If forced to choose, which part of the writing process is your favorite: developing characters, crafting dialogue, or establishing setting/mood?

Characters. I don’t outline and I usually don’t have more than a loose plan when I start a story, so I love developing my characters as I go and seeing where they take me. If I can develop interesting and strong enough characters, they will show me their story.

What projects are you currently working on?

I’ve got two novellas that are both two-thirds of the way finished. Both were shelved for the past seven months while I concentrated on my collection. Now that I’ve got time again, I’m eager to get back to them, particularly the one I’m currently calling “Merch Girl”, which is about a woman who sells merch for a nomadic band and her experiences on the road. She’s a monster, a mother, a caretaker resigned to her role, but then she comes to a crossroads when she finally meets someone like her, a woman who reminds her who she really is.

Where can we find you online?

I’m on Twitter and Instagram @JAWMcCarthy, and at jawmccarthy.com. I’m most active on Twitter, if anyone wants to say hi!

Big thanks to J.A.W. McCarthy for being this week’s featured author!

Happy reading!