Category Archives: Fiction

Favorites and Future: Part Three in Our Pride Month Horror Roundtable

Welcome back for the final installment of our Pride Month Horror Roundtable! Today we discuss books and short stories featuring LGBTQ+ characters as well as these six authors’ hopes for the future of queer literature!

And with that, let’s take it away!

What are a few books or short stories that feature LGBTQ+ characters that you wish more people knew about?

CRAIG LAURANCE GIDNEY: A Visitation of Spirits by the late author Randall Kenan ought to be more well-known. It’s not marketed as a genre fiction but it has a definite horror vibes. It’s about the Black church and the exorcism of a Black queer boy.

The Museum of Love by Steve Wiener is a magical realist novel about a French Canadian boy and his journey to self acceptance. It’s full of weird surrealistic interludes.

CHRISTINA LADD: The horror community tends to be ravenously well-informed, but I’ll try. First off, even if everybody knows about them, still not enough people talk about Caitlin R. Kiernan. They’ve been a mainstay of horror for many years, an Atlas on whose shoulders rests so much of the foundation for current trends in cosmic horror. I wouldn’t have heard of Lovecraft—or of the still lesser-known Charles Fort—if not for them, and many of their short stories and novels are touchstones for me still.

Recently, I’ve loved Tell Me I’m Worthless by Allison Rumfit, which wonders how we can stop hurting each other in our current dystopia haunted by ghosts of fascisms past, and Chlorine by Jade Song, which isn’t shelved with horror but definitely has a lot of horror elements that I highly recommend you check out.

K.P. KULSKI: Sara Tantlinger’s novella, To Be Devoured, is gorgeous and horrifying, I highly recommend it to everyone. This is one of those works I feel like the whole world should know about.

Nicholas Day’s novella, At the End of the Day I Burst Into Flames, is hands down one of my all time favorite books. It is gorgeous, aching, and speaks volumes of truth. To be quite honest, this book is very close to my heart and I go back to it often to find myself.

Sang Young Park’s book Love in the Big City was a recent read for me and I dearly loved it. The work is everything aching and yet filled with self-awareness. Not only did it bring me to tears, it gave me a gift of personal growth.

LARISSA GLASSER: The absolute polestar of queer horror is Clive Barker’s “In the Hills, the Cities.” I think plenty of readers and writers in genre realize how much a game-changer The Books of Blood are, but consider when they were written during the height of worldwide conservative hawkishness rooted in Thatcher, Reagan, Pinochet, Ríos Montt, among others, Barker managed to make gay lives seem just as ordinary and capable of being imposed upon by extraordinary events. “Human Remains” and “The Madonna” in the same story cycle touch upon similar themes, but “In the Hills” seems to have gained the most recognition, and justly so. The place to start with Torrey Peters would be her novellas “Infect Your Friends and Loved Ones,” “The Masker,” and her full novel Detransition, Baby. Finally, read Manhunt by Gretchen Felker-Martin. You’re in for one fuck of a ride, and she’s got more coming very soon.

MONA LESUEUR: Not so much a specific book, but you could pick any name out of the ones I listed up above and you’ll have a good time! But if I had to pick one, I wish more people talked about The Red Tree by Caitlín R. Kiernan. God, I love that book.

ADDIE TSAI: Bryan Washington’s LOT! I feel like a lot of people know about his second book, but LOT is such an incredible collection of stories, centering my hometown, Houston, in ways that we’ve never seen in American literature before. Mark Oshiro’s Each of Us a Desert is a book that came out in the second year of the pandemic, and so I don’t know if it got the attention it deserved. That novel is so close to my heart, and brought me back into reading since the start of the pandemic, no easy task. I would give that book to everyone in the world if I could.

What are your hopes for the future of LGBTQ+ representation in horror and speculative fiction?

CRAIG LAURANCE GIDNEY: I hope more people will accept damaged and unlikeable queer characters. They make for more interesting storytelling than Perfect Queers. I also want alternative family structures explored—poly folk and leather folk as well as more traditional queer couples with children.

CHRISTINA LADD: Ever since The Book of Queer Saints, the idea of problematic or messy queers has been on my mind. There’s certainly a strain of discourse that prefers LGBTQ+ people to be, if not out-and-out (hah) Good Guys, then at least somehow sympathetic. And I get it, it’s still very scary to write stories that some dingus might then brandish at a school board meeting in order to justify banning all queer stories. It’s terrifying, in fact! But I hope that the horror community will not do the dinguses’ work for them. Horror has so often been a refuge for people who have been made to feel monstrous, and I want the genre to continue be a source of catharsis and consolation.

K.P. KULSKI: My hope is that it continues its current course— exploring and embracing. With that said, I would also like to see more representation for those of us who are LGBTQ+ and part of the Asian Diaspora, like Addie Tsai’s Unwieldy Creatures. (More of this please!) Our experiences, often at the crossroads of the immigrant, diaspora, multi-racial, multi-cultural are unique and have specific struggles when we also have an LGBTQ+ identity.

LARISSA GLASSER: LGBTQ+ presence and agency will keep genre fiction alive, innovative, and lucrative in the 21st century and beyond. I know there may be some who act in bad faith, who want to exclude trans women from the genre and even from daily life, but I cannot emphasize enough how self-sabotaging that attitude has always proven to be.

MONA LESUEUR: More queer horror romance, and more survival horror with a tight-knit queer group and a monster. Gimme lesser monsters teaming up with humans to take down the big monster. Gimme gays vs. dinosaurs. Gimme lesbians dripping with viscera who make out while their limbs mutate. Gimme ghost x human BDSM. Gimme monster love. Gimme messy protagonists. That’s all I ask.

ADDIE TSAI: My hope is that we just see more representation, more popular media, more complex intersection of LGBTQ+ Black characters, Indigenous characters, and other characters of color interacting with horror and speculative fiction tropes in interesting ways. I want to see unsaintly characters, LGBTQ+ storylines that don’t end in erasure, and for god’s sake, no more being relegated to subtext.

What’s next for you? What projects are you currently working on, and where can we find you online?

CRAIG LAURANCE GIDNEY: I am currently working on short stories for a couple of anthology invitations. I’ll have a story in BLACKENED ROOTS, a collection zombie stories from Black creators in June. This past March I had a reprint piece in The Dark called “Antelope Brothers” that’s available to read online for free. I can be found at www.craiglaurancegidney.com and @ethereallad on Instagram, Twitter and Mastadon

CHRISTINA LADD: Right now I have a lot of short stories in various states of disarray, but my eventual goal is to finish a queer Persephone novel, and also a novel set in Carcosa.

I’m also poking at an eventual collection of stories based on John Foxe’s Book of Martyrs, which is a (very biased) account of English Catholic persecution of Protestant, but to me as a modern and nonreligious reader, it’s really just a collection of horrifying ways that humans decided to hurt each other. Reimagining those accounts with modern, supernatural, and queer/feminist lenses has been a pet project of mine. You can read one of those stories here. For everything else, you can find me at christinaladd.com.

K.P. KULSKI: I’ve been working for awhile on what began as a novella, but has turned into a novel—about a mul-gwishin/Korean water ghost haunting. It’s rooted in post war/Cold War Korean history, as well American immigrant and Asian-American experiences. I’ve also been at work planning and writing an Asian Diaspora Folk Horror television series. I’m still tinkering with the pilot episode.

I’m also looking forward to StokerCon in Pittsburgh this year! If you’re planning to attend, be sure to say hello!

You can also find me online www.garnetonwinter.com, on Insta @garnetonwinter, and Twitter @garnetonwinter.

LARISSA GLASSER: I’m working on an anthology story about cryptids in Nantucket, another about The Formless Spawn from Clark Ashton Smith’s Tsathoggua cycle, another longer work which will explore some of the themes explored in Arthur Machen folktales. Another book I’m getting into is a trilogy that exclusively takes place inside of vehicles (don’t worry, there will be plenty of killdozers involved, too). Apart from that I’m finishing up post-production for the next Hekseri album which we hope to have mixed and mastered this summer.

I don’t have a website up currently, but the best place to find me online is Twitter @larissaeglasser and that’s also the best place to DM me if I can help with anything or if you just want to debate which Drive Like Jehu album is better. THANK UUU <333

MONA LESUEUR: I currently have a few gestating novellas and a novelette in the works that I hope you all will hear more about soon. I won’t share too many details, as I’m the kind of writer that likes to stay mum until I have all the pages in order for fear of either losing interest or momentum from pressure, but I approach all my writing with a desire to will something into existence that I can’t find anywhere outside my daydreams.

You can find me on Twitter, TikTok, and Instagram as @msuspiriorum, though I’m afraid I don’t talk much about my process on social media. I’m always happy to chat about books, video games, movies, TV, anime, manga…but otherwise, I hope you enjoy artwork, pictures, updates on what media I am enjoying, and silly memes!

ADDIE TSAI: I’m actually working on what I like to call a fanfic of UNWIELDY CREATURES, or a spin-off. It will also feature another kind of reimagining, but based in history rather than fiction. Stay tuned! I’m also writing a lot of poems, working on a memoir, as well as a graphic novel! Can we say Virgo? You can find me at my website: http://www.addietsai.com. I’m addiebrook on Twitter and bluejuniper on Instagram. Come find me!

And that’s our Pride Month Horror Roundtable for 2023! Huge thanks to our featured authors, and please read their work during June and all year-round!

Happy reading, and happy Pride Month!

Representation and Favorites: Part Two in Our Pride Month Horror Roundtable

Welcome back to part two of our Pride Month Horror Roundtable! Today, we discuss LGBTQ+ representation in horror as well as favorite queer authors!

And with that, I’ll let our featured writers take it away!

How, if at all, do you feel that LGBTQ+ representation in horror and speculative fiction
has changed over the last few years?

CHRISTINA LADD: It’s hard to separate out my own experience of reading horror from the genre itself, since I am in no way an expert—I’m a fan, first and foremost, and I read where my on predilections take me. So with that caveat, I’ve been very happy to see queerness presented as a nonissue more and more often; it’s ubiquitous, normal, and quietly foundational instead of centered as The Conflict. There are, of course, also books in which queer concerns are central, and I like those too! However, queer universality delights me in large part because it’s strangely—subversively—maybe even perversely—optimistic. Sure, there are plagues or serial killers or monsters from beyond the stars, but at least nobody is having a snit about two girls kissing.

ADDIE TSAI: I believe that we’re in a very exciting moment for LGBTQ+ representation in horror and speculative fiction. As I said in an interview promoting It Came from the Closet, is there any genre queerer than horror, one that takes everything under the bed–our secret fears, desires, and fantasies–and lays it out for us to confront? I think that we, as living in queer bodies, inevitably queer any genre with our own perspectives and realities, but I think that there is a way that the horror film, which turns everything inside out, enables a kind of queer potential more than any other genre. But, what we’re seeing that’s changed in terms of LGBTQ+ representation in horror and speculative fiction is explicit representation. No longer are we being relegated as “subtext” but are now finally being included “out of the closet.” I’m thinking particularly about the most recent AMC adaptation of Anne Rice’s The Interview with the Vampire, in which the characters Lestat and Louis are an explicitly queer couple and their dynamic is complicated as a queer dynamic, rather than being implied. We are also seeing more complicated storylines and characters that don’t end with villainizing queer characters, or having their lives end in tragedy. The more representation we have, the more complex our stories can become.

MONA SWAN LESUEUR: It has definitely become more varied and diverse, but this is only the beginning. Soon…we will infest all shelves on Earth, and then we shall expand to farthest reaches of the known cosmos…and beyond. But for now, you can go to your favorite indie bookseller or book chain and order as much as possible! The more we are read, the more we grow.

One of horror’s strengths historically has been the ability to explore characters that otherwise have unexamined in other genres. That still rings true to this day. In horror, you can see LGBTQ+ at their lowest and highest points. We’ve got problems and we’re just as messed up as everyone else. We’ve also got beautiful souls filled with an abundance of love. We just want to live peaceful lives, but monsters keep showing up who insist on eradicating us in any way they can. In many ways, horror is the perfect place to showcase our fullest truest selves, and that is becoming more and more evident as more queer horror gets published and read.

CRAIG LAURANCE GIDNEY: There has been an explosion of queer-friendly horror and speculative fiction in the past few years. The visibility is amazing—and all the voices are different. It is no longer novel to have queer characters and queer authors. I love that there is room for more than one Black queer author in speculative fiction. And the queer representation we’re getting is written for a queer audience. No dilution or heteronormative palatability is now necessary, and it makes for richer, more dynamic fiction.

K.P. KULSKI: In my view, in the horror community it’s been mostly embraced and further— actively supported. There are always some people who are hateful, but they seem relegated to the sidelines, and this gives me great hope.

LARISSA GLASSER: We’ve gone from having trans women as the “twist” in Sleepaway Camp or
the “transvestite” in Psycho or the “what a kooky doctor” in Dressed to Kill or the “No Men in this House” in Unhinged to trans women writing some of the best work in the genre over the past decade. I never thought I’d live to see this happen. This may not be universally felt within the horror community, but it means a great deal to me.

Who are some of your favorite LGBTQ+ authors writing today?

ADDIE TSAI: Alexander Chee, Jas Hammonds, Mark Oshiro, Zeyn Joukhadar, and Bryan Washington are some of the LGBTQ+ writers I’m really excited about right now.

CHRISTINA LADD: Cassandra Khaw, Caitlin R. Kiernan, Gwendolyn Kiste (hiii), Eric LaRocca, Carmen Maria Machado, and Hailey Piper, to name a few (in alphabetical order)!

MONA SWAN LESUEUR: Let’s see… Gretchen Felker-Martin, Judith Sonnet, Paula D. Ashe, Cassandra Khaw, Eric LaRocca, Hailey Piper, Eve Harms, Joe Koch, Johannes T. Evans, Jo Quenell, Katy Michelle Quinn, Fiona Maeve Geist, Emma Alice Johnson, S.G. Murphy, Larissa Glasser…

just to name a few! Growing up I could count my favorites on one hand, and now there is a feast of pages to consume that are written by so many lovely people. I’m discovering new favorites all the time!

K.P. KULSKI: Since I know many will mention the amazing Hailey Piper and Eric LaRocca (as they should, both are exceptional with stunning work), I’d like to put forth some additional names.

Jess Cho. Everything they write is absolute fire on the brain and tears in your heart. I’m a huge fan. Do yourself a favor and look up their work and read it immediately.

Nicholas Day is a friend, a publisher, but also a phenomenal writer. He should be unbelievably famous. His work is weird, violent, gorgeously introspective, and heartbreaking. Gah, it’s so dang good. Go read it now.

Corey Niles is an exceptional talent and we’ve only begun to see what he’s got in store for both horror and the greater literary world.

Joe Koch. Think of the tragic smear of butterfly wings, guts staining the powdery colors into vibrancy and sprinkled with pollen, then you’d have The Wingspan of Severed Hands. Mind-bending, beautiful, and horrific.

CRAIG LAURANCE GIDNEY: Hailey Piper, Sumiko Saulson, Tom Cardamone, Matt Cheney, Robert Levy, Maxwell Ian Gold and Paula Ashe. Though there are many, many others.

LARISSA GLASSER: I’m not sure how many times I’ve mentioned Torrey Peters–probably
infinity times, but her writing changed my universe in some pretty epic ways. She shines a searing light on trans and queer lives of every stripe, and my jaw drops at her command with prose and narrative techniques every time. Nowadays there are SO MANY trans writers in the
genre that everyone needs to check out. Hailey Piper is incredibly prolific and brings forth an opaque vision very much like what we read in Shirley Jackson and Angela Carter. Gretchen Felker-Martin is the matriarch of full-throttle grindhouse trans lit–I have so much to learn from her, she totally blows my mind how hardcore she is, it’s like re-experiencing the fiction of Gary Indiana, Jean Genet, even Samuel Beckett. She fucking rules. Other trans writers I hope to see
more from include Eve Harms, Alice Stoehr, Polly Schattel, and I’m sure this list will grow once I check back online. I’ve already mentioned Torrey Peters but let’s not forget the women who also really got this going–Imogen Binnie’s “Nevada,” “A Safe Girl to Love” by Casey Plett, and “I’ve Got a Time Bomb” by Sybil Lamb. These should be in every library on the planet.

How do you incorporate queer characters and experiences into your own work? Is it something you do consciously, or is it simply where your stories ultimately lead you as an author?

ADDIE TSAI: I always center queer Asian characters in my work, and it is always incredibly intentional. I write the books I want to exist, either as I was coming of age as a young adult, or books I wish existed now that I haven’t found.

CHRISTINA LADD: I write very instinctively, and I guess my instincts are regularly queer. Shrug!

MONA SWAN LESUEUR: I’m a big proponent of cannibalizing your own life with several tasteful dashes of fantasies, lies, and fears on top, so everything I write is queer in one way or another. It started out as a conscious choice before I even realized I was a trans lesbian, as I always felt most drawn to reading and writing about women. Felt more like myself when around women. It just felt right. In retrospect, my childhood dreams of transforming like a magical girl to fight zombies in a Resident Evil style mansion and then going on dates with girls as a girl where we ride velociraptors make a lot more sense!

K.P. KULSKI: So, I do both—subconsciously and consciously incorporate queer characters and experiences. Characters develop in my mind and they tend to have a sense about them, a feel that without much thought that may include a queer identity. I don’t necessarily choose it for them. I don’t always discuss it either if I don’t think the character understands themself or if they aren’t a person who spends much time thinking about this—they just are. I think that’s a place we need to be careful because queer folks don’t walk around thinking, “I’m queer” at all times. We think “I love,” “I hate,” “I want,” etc. Just like everyone else does. There are times I’ve done it consciously, or more accurately further delved into a character’s queer identity consciously—usually it’s because I’m purposefully exploring an idea and the character’s queer identity is important to that exploration. For example, in Fairest Flesh, I wanted to explore how beauty standards can hurt and be used to divide all women.

CRAIG LAURANCE GIDNEY: The inclusion of queer characters isn’t conscious at all! They just show up in my work and take over. When I had a draft of A Spectral Hue that seemed broken and stalled, I had the epiphany to make all of the books characters queer—-and the writing flowed from there. I sometimes have to remind myself to throw in straight representation!

LARISSA GLASSER: I used to think that having trans characters in my work would be tokenizing, but that was just my insecurity and fear taking hold. Most of my work now centers on a trans perspective, but my sources also come from dreams, world events, legends, heavy metal trivia–perhaps it’s random but when a story is filtered through a queer author’s perspective, readers may experience tales they may not have heard otherwise. And that raises our own standard to achieve something great for as many people as we can.

And that’s our roundtable for this week! Head on back next week for the conclusion of this year’s Pride Month Horror Roundtable!

Happy reading, and happy Pride Month!

My Schedule for StokerCon 2023

So we’re just over a week away from this year’s StokerCon, and needless to say, I’m so excited for it! (I initially wrote “so stoked” but I mean, that’s a bit too much, yes? All right, fine, I’m totally stoked for it!) As always, I adore StokerCon and get downright giddy for the convention. This year, I’m cheerfully busy with both the in person and the virtual convention, so if you want to catch me somewhere during the con, then you’re in luck!

And here goes with all the places I’ll be next week at StokerCon!

You Can’t Get There From Here: Tales of Weird Pittsburgh on Thursday, June 15th at 4pm
With moderator Douglas Gwilym at the helm, I’ll be hanging out with panelists Frank Oreto, Nelson Pyles, Michelle Renee Lane, and Stephanie M. Wytovich as we ponder Pittsburgh’s place in the horror genre. I know I’ve already said this all over social media, but I’m so happy that StokerCon is in Pittsburgh this year, and as a member of HWA Pittsburgh, it’s so exciting to get to share our love for the city with everyone!

“We Belong to Each Other”: Reclaiming Representations of Bisexuality in 1970s and 1980s Vampire Cinema on Friday, June 16th at 1pm
I’m over the moon to be presenting at the Ann Radcliffe Academic Conference this year! As you can no doubt discern from the title, my talk is all about bisexual vampires of the 70s and 80s, including Daughters of Darkness, The Hunger, The Lost Boys, and more. I’m part of the block called “The Vampire’s Time Has Come: Symbols, Stories, and Sexuality,” alongside Naomi Borwein and Alex Aleco, and I’m so eager to hear their talks. Tremendous thanks to RJ Joseph and Bridget Keown for putting together this incredible conference. It’s truly such an honor to be presenting at it!

The Cannibal Panel on Friday, June 16th at 4pm
Moderated by the fabulous Sara Tantlinger, I’ll be joining panelists Rebecca Rowland, Owl Goingback, Wrath James White, and EV Knight as we discuss—what else?—horror tales about devouring human flesh. My recent story, “The Hungry Wives of Bleak Street,” is all about cannibalism, and appropriately appears in American Cannibal, edited by the amazing and aforementioned Rebecca Rowland, so it will be fun to talk about that story and anthology as well as hear all about the diverse work coming from other horror writers.

Mass Author Signing on Friday, June 16th at 5pm
I’ll be joining an expansive group of authors as part of the mass author signing! White Whale Bookstore will be on hand selling copies of the Stoker nominated works, so if you want to pick up Reluctant Immortals, then that’s a thing you should be able to do! Also, if you have copies of my books already, please feel free to bring them as I’d of course be happy to sign them!

You Just Live Here: Inhabiting the Modern Haunted House on Saturday, June 17th at 10am
I’ll be hanging out with panelists Aaron Dries, Johnny Compton, Craig Davidson, EV Knight, Sarah Read, and moderator Andrew F. Sullivan while we talk all about haunted houses. This one is particularly exciting for me since my next novel features not only one haunted house but a whole haunted neighborhood, so this is definitely timely for me and my own writing. And I can honestly listen to writers discuss haunted houses all daylong, which means I have no doubt this is going to be a great time.

The Invisible Other: Bisexuality and the Horror Genre on Saturday, June 17th at 12pm
Last but in no way least, I’m moderating this super cool discussion alongside panelists J.A.W. McCarthy, K.P. Kulski, Eric Raglin, and Angela Sylvaine. From what I can tell, this is the first ever panel at a genre writing convention to focus on bisexuality and horror, so I’m beyond thrilled for us to make a small bit of queer horror history as I talk with the ultra talented panelists about all things bi+ and creepy!

Virtual Author Reading (On Demand)
And then there’s the content for virtual StokerCon! This year, I’m doing a virtual author reading! I was the reading coordinator for StokerCon 2023, and since we didn’t have enough spots in person for everyone, I decided to take my role as coordinator seriously and not to take up the space of another writer, especially since I know how important author readings are, in particular for newer writers. And as it turns out, my schedule is packed with programming, so while I will of course miss out on the camaraderie of an in-person reading, everything definitely worked out this year. For my virtual video, I read an excerpt from Reluctant Immortals, my little psychedelic gothic baby (which, by the way, is currently on sale over at Amazon), so check it out if you’re part of the online convention.

Something Old, Something New: The Power of Horror Retellings at Virtual StokerCon (On Demand)
This panel, which explores what makes a good horror retelling, features authors Craig Laurance Gidney, Gaby Triana, Jessica McHugh, Alyssa Palombo, Addie Tsai, and Eden Royce. I’m the moderator of this panel, as we discuss our favorite horror tales and why we chose those particular stories to reinvent in our own work. It was a fabulous time conversing with this group of authors, so please give it a watch if you’re hanging around the virtual con!

Monstrous Metaphors: Horror Movies and Cultural Commentary at Virtual StokerCon (On Demand)
With S.A. Bradley as the moderator of this panel that’s all about the politics and cultural significance of horror, I joined panelists Stephanie M. Wytovich, Marc L. Abbott, and Britannic Zane for a lively discussion about the intersections of horror with race, gender, sexuality, and more. We recorded this one last month, and it was an absolute blast. Such a fun conversation with such fun people!

And finally, on Saturday evening, we’ll be attending the Stokers! Yes, I’ve already said it so many times already, but I’m so elated and surprised that Reluctant Immortals is nominated for Superior Achievement in a Novel. For a book that’s all about forgotten women, it’s such a lovely and amazing experience for it to be recognized. I can’t wait to spend the evening celebrating with all the other nominees! It’s such a terrific ballot, and it will be so wonderful to hang out with everyone at the ceremony!

So that’s my schedule for the convention! If you see me at any of the panels or just hanging out around the hotel, please say hi! I’m fairly friendly and would love to meet more of my internet writing friends in person!

Happy reading, and happy StokerCon!

Summer Fiction: Submission Roundup for June 2023

Welcome back for this month’s Submission Roundup! This summer is already shaping up to be filled with plenty of awesome submission calls, so if you’ve got a story searching for a home, then hopefully one of these markets will be a perfect fit!

As always, a disclaimer first: I’m not a representative for any of these markets. I’m merely spreading the word! Please direct your questions to their respective editors. And with that, onward with this month’s Submission Roundup!

Submission Roundup

Cast of Wonders
Payment: .08/word for original fiction
Length: up to 5,000 words
Deadline: Open from June 1st to June 14th, 2023
What They Want: Cast of Wonders is seeking speculative fiction aimed at a young adult audience (ages 12 to 17). The theme is Banned Books Week, and they’re seeking fiction that show how stories can be a guiding light and help us understand the world around us and dismantle our misconceptions.
Find the details here.

Eye to the Telescope
Payment: .04/word (minimum $4, maximum $25)
Length: up to three poems
Deadline: June 15th, 2023
What They Want: Open to speculative poetry on the theme of trauma
Find the details here.

Alone on the Borderland
Payment: Percentage of Kickstarter
Length: 5,000 to 10,000 words
Deadline: June 30th, 2023
What They Want: Editor John Linwood Grant is seeking weird and strange fiction set anywhere during the broad Edwardian era.
Find the details here.

Dracula Beyond Stoker
Payment: .05/word
Length: 1,500 to 5,000 words
Deadline: June 30th, 2023
What They Want: The editor is seeking fiction that reimagines and expands upon the world of Dracula. For the upcoming issue, the theme is Lucy Westenra (hooray!).
Find the details here.

Electric Spec
Payment: $20/flat
Length: 250 to 7,000 words
Deadline: July 15th, 2023
What They Want: Open to a wide range of speculative fiction.
Find the details here.

It Was All a Dream, Volume 2
Payment: .05/word
Length: 1,500 to 3,000 words
Deadline: Open July 1st to July 15th for all authors; open July 1st to July 22nd for marginalized authors
What They Want: Open to short, weird horror fiction that reworks an old trope.
Find the details here.

Happy submitting!

World Dracula Day and Spring Writing Updates

Welcome back, and happy World Dracula Day! In honor of this auspicious holiday, today seems like the perfect chance to talk a little bit about Reluctant Immortals and what I’ve been up to lately. It’s been a busy year so far in my writing world, which is always nice, since it tends to keep the existential dread at bay.

So let’s dive into some updates about my little vampire baby!

Reluctant Immortals is a finalist at both the Lambda Literary Awards and the Bram Stoker Awards!

First and foremost, if you follow me on social media, you’ve already seen me screaming from the rooftops about this, but just in case you didn’t hear: Reluctant Immortals is nominated for Superior Achievement in a Novel at the Bram Stoker Awards as well as being a finalist for Bisexual Fiction at the Lambda Literary Awards!

*screams joyfully from the rooftops once again*

There have been a lot of wonderful things to happen with the book, so it’s beyond thrilling and humbling to end the promotion cycle for my Dracula-Jane Eyre retelling by attending not one but two awards ceremonies next month where Reluctant Immortals is a finalist. Honestly, even just typing that sentence is surreal.

Being a finalist for the Lambda Literary Awards holds a very unique place in my heart. Most readers and reviewers didn’t mention the sapphic story line in Reluctant Immortals; I think that was in part because it’s not revealed until about the quarter mark of the book, and nobody wanted to give away spoilers. But it always made me a little sad it wasn’t discussed more because exploring the relationship between Jane Eyre and Bertha Antoinetta Mason was always one of the most exciting things about writing Reluctant Immortals. So needless to say, having the book recognized in the Bisexual Fiction category at an award ceremony that’s been called “the queer book Oscars” is an absolutely huge honor. Especially this year, with all the ongoing attacks on LGBTQ+ books, I’m proud to be a queer author representing queer horror fiction. So yeah, I’m very, very excited about this.

And of course, it should go without saying that being nominated for a Stoker holds a very special place for me as well. I still can’t believe I’ve been nominated this year, let alone ever won a Stoker in the past, so that remains a wonderfully mystifying part of my existence and career. The ballot for this year’s Stokers is out of this world, and I’m so eager to not only see everyone at the convention and award ceremony next month, but to get to share the excitement with all my fellow nominees. I know people say it’s an honor to be nominated, but here’s the thing: it really, really, REALLY is.

My personal writing archive is now live and open for research at the University of Pittsburgh

Another huge update: my personal writing archive at the University of Pittsburgh’s Horror Studies Collection has officially been processed and has its own page online. I’ve talked about this several times in the past, but it wasn’t open to research until recently. *squeals with delight* Again, I know I’ve said it before, but having my work archived at a university was a big dream of mine from the time I was a kid, and I remain stunned that this is real. But like I said, it’s got its own page and everything, so I guess it is indeed true. *pinches myself to make sure*

In related cool news, there will be a private event at the Horror Studies Collection the week of StokerCon for all registered attendees, so if you’ll be in the Pittsburgh area on the Wednesday before the con, definitely come and hang out with us. You should have gotten an official StokerCon email about the event, so check your inbox! Speaking of which…

StokerCon Pittsburgh is coming soon!

In just a few weeks, a swarm of horror authors will be descending on Station Square in Pittsburgh for StokerCon 2023! Hooray! I’ve already recorded two virtual panels and my author reading for the online portion of the convention, and I’ll be doing even more programming in person, including multiple panels that are still in the process of being announced.

I’m also beyond thrilled to be presenting at the Ann Radcliffe Academic Conference, which will be taking place all day on Friday, June 16th at the convention. My presentation, “We Belong to Each Other: Reclaiming Representations of Bisexuality in 1970s and 1980s Vampire Cinema” will be part of an incredible block of vampire-themed academic talks, which will also include Naomi Borwein and Alex Aleco.

Early next month, I’ll be doing a post on my full StokerCon schedule, so stay tuned for anyone who is interested!

I have new short stories in American Cannibal and Forbidden Magic anthologies as well as Cosmic Horror Monthly!

In other news, it’s been a really exciting year for short story writing here in my little corner of the word. I’m literally finishing up a new story now, and I’ve been fortunate to see three new tales released in the last few months. My flesh-eating 1950s melodrama, “The Hungry Wives of Bleak Street,” made its debut in American Cannibal edited by Rebecca Rowland. “Hear, Hearth, Heartbeat,” a witchy tale of strange friendship that survives the decades, was featured in the Forbidden Magic issue of The Cellar Door. And finally, my Three Mile Island cosmic horror story, “Melting Point,” was in the latest issue of Cosmic Horror Monthly. I’m deeply proud of all three of these stories, so please pick up a copy of one (or all of them!) if you’re so inclined.

Looking down the road, I have recent acceptances for Novus Monstrum and The First Five Minutes of the Apocalypse, as well as upcoming stories out in Shakespeare Unleashed, No Trouble at All, and Never Wake along with several others that haven’t been publicly announced yet, so there will be plenty more short fiction from me coming soon.

So those are all my major updates for the moment. Otherwise, I’m just hanging out here on the old abandoned horse farm, working on new fiction. Edits on my next book have been sent over to my publisher, so I will hopefully have some news to share about my fourth novel very soon. (And seriously, FOURTH NOVEL?! How did that even happen?)

Happy reading, and happy spring!

Away Into Spring: Submission Roundup for May 2023

Welcome back for this month’s Submission Roundup! Lots of great opportunities in May, so if you’ve got a story seeking a home, perhaps one of these markets will be the perfect fit!

As always, a disclaimer first: I’m not a representative for any of these markets; I’m merely spreading the word. Please direct your questions to their respective editors.

And with that, onward with this month’s Submission Roundup!

Submission Roundup

Playlist of the Damned
Payment: .05/word; $1/line for poetry
Length: 500 to 5,000 words for fiction; 50 lines or less for poetry
Deadline: May 31st, 2023
What They Want: Open to horror fiction and poetry that explores the intersection of music and the macabre.
Find the details here.

Bury Your Gays: An Anthology of Tragic Queer Horror
Payment: .07/word
Length: 1,000 to 6,000 words (2,000 to 4,000 words ideal)
Deadline: May 31st, 2023
What They Want: Editor Sofia Ajram is seeking stories that focus on queer tragic horror written by queer authors.
Find the details here.

Escape Pod
Payment: .08/word for original fiction; $100/flat for reprints
Length: 1,500 to 18,000 words
Deadline: June 1st, 2023
What They Want: Open to science fiction short stories.
Find the details here.

Experimental Files: A Tribute to the Work of Gemma Files
Payment: $50/flat
Length: 3,000 to 6,000 words
Deadline: June 1st, 2023
What They Want: The editors are seeking stories inspired by the work of acclaimed weird fiction author, Gemma Files.
Find the details here.

Electric Spec
Payment: $20/flat
Length: 250 to 7,000 words
Deadline: July 15th, 2023
What They Want: Open to a wide range of speculative fiction.
Find the details here.

Happy submitting!

A Fool for Fiction: Submission Roundup for April 2023

Welcome back for April’s Submission Roundup! As always, there are lots of great opportunities, so if you’ve got a story seeking a home, then maybe one of these markets will be perfect for it!

First, a disclaimer: I’m not a representative for any of these markets; I’m merely spreading the word. Please send any questions to their respective editors. And with that, onward with this month’s Submission Roundup!

Submission Roundup

FlowerSong Press
Payment: Not specified
Length: 75,000 to 150,000 words
Deadline: April 15th, 2023
What They Want: FlowerSong Press is seeking historical, fantasy, horror, and science fiction novels from Latinx authors.
Find the details here.

Electric Spec
Payment: $20/flat
Length: 250 to 7,000 words
Deadline: July 15th, 2023
What They Want: Open to a wide range of speculative fiction.
Find the details here.

Happy submitting!

Lucky, Spooky Fiction: Submission Roundup for March 2023

Welcome back for this month’s Submission Roundup! As always, there are plenty of amazing opportunities out there, so if you’ve got a story looking for a home, then hopefully one of these markets will be the perfect fit!

First, our customary disclaimer: I’m not a representative for any of these markets; I’m merely spreading the word. Please direct your questions to their respective editors. And with that, onward with March’s Submission Roundup!

Submission Roundup

No Trouble at All
Payment: .05/word
Length: 2,000 to 4,500 words
Deadline: March 15th, 2023 (Extended deadline for marginalized authors: March 22nd, 2023
What They Want: This anthology from editors Alexis DuBon and Eric Raglin is seeking polite horror stories, specifically horror disguised through politeness and manners.
Find the details here.

Eye to the Telescope
Payment: .04/word (minimum $4; maximum $25)
Length: up to three poems
Deadline: March 15th, 2023
What They Want: Guest editor Avra Margariti is seeking speculative poetry inspired by fungi.
Find the details here.

Novus Monstrum
Payment: .03/word
Length: 1,000 to 5,000 words
Deadline: March 30th, 2023
What They Want: Open to speculative fiction stories that feature a never-before-seen monster.
Find the details here.

Mother Knows Best
Payment: .06/word
Length: 1,000 to 5,000 words
Deadline: March 31st, 2023
What They Want: A women-in-horror anthology from Black Spot Books, editor Lindy Ryan is seeking horror stories inspired by mothers and mother figures.
Find the details here.

Vastarien
Payment: .05/word for fiction and nonfiction; $50/flat for poetry and artwork
Length: 750 to 6,000 words for fiction; 2,000 to 7,500 for nonfiction; up to 50 lines for poetry
Deadline: March 31st, 2023
What They Want: For the month of March, Vastarien is open to non-white artists and authors as well as female, nonbinary, and gender fluid authors and artists. Vastarien is seeking nonfiction, literary horror fiction, and poetry that’s inspired by Thomas Ligotti and related themes.
Find the details here.

Campfire Stories
Payment: $40/flat
Length: 2,000 to 5,000 Words
Deadline: March 31st, 2023
What They Want: Open to speculative fiction that features the eerie vibe of stories told around a campfire.
Find the details here.

Happy submitting!

Moving Toward Spring: Submission Roundup for February 2023

Welcome back to the Submission Roundup! Lots of great writing opportunities this month, so be sure to send those stories of yours out into the world!

As always, a disclaimer: I’m not a representative for any of these markets. I’m simply spreading the word! Please direct any questions to their respective editors!

And with that, onward with this month’s Submission Roundup!

Submission Roundup

Ghoulish Tales
Payment: .10/word
Length: up to 5,000 words for short fiction; up to 3,000 words for short nonfiction
Deadline: February 15th, 2023
What They Want: Open to short fiction and short nonfiction that focuses on fun horror that celebrates all things spooky.
Find the details here.

Planet Scumm
Payment: .06/word
Length: up to 5,000 words
Deadline: February 21st, 2023
What They Want: Open to a wide variety of speculative fiction, weird fiction, and slipstream.
Find the details here.

The First Five Minutes of the Apocalypse
Payment: .03/word
Length: 1,500 to 4,000 words
Deadline: February 28th, 2023 (extended deadline for authors of marginalized communities: March 7th, 2023)
What They Want: Hungry Shadow Press is seeking short horror fiction that takes place at the beginning of an apocalypse.
Find the details here.

Happy submitting!

RELUCTANT IMMORTALS is on the Preliminary Bram Stoker Awards Ballot!

So last week ushered in an absolutely wonderful surprise: Reluctant Immortals is on the Preliminary Bram Stoker Awards ballot!

Now it’s very important to note this is not a nomination, as this is only the preliminary ballot; voting on the official nominees has just started, with the final ballot being announced in the coming weeks. But to make it this far is beyond thrilling and humbling.

Reluctant Immortals has been out for almost six months now, and it’s been a really wild and wonderful ride. Not only was the American version released from Saga Press, but the UK edition came out in November from Titan Books. The novel was named one of the best horror books of 2022 by Esquire, and it’s been highlighted as a top horror book at The Lineup, Flyleaf Books, and A.C. Wise’s annual reading roundup. It’s also been featured at Harper’s Bazaar, Goodreads, Book Riot, Rue Morgue, The Rumpus, and more. Not too shabby for a book about two gothic heroines who are forgotten within their own stories.

I was recently interviewed by the incredible Andrea Blythe over at Interstellar Press, which was a lovely experience all the way around. I’m also beyond delighted that the fantastic Christina Ladd reviewed Reluctant Immortals last month for Strange Horizons! I’m such a huge fan of both Andrea’s and Christina’s work, so this is truly such an honor!

It’s also such an amazing honor to be on the preliminary ballot alongside so many horror authors whose work I admire so much. This year’s preliminary ballot is truly filled with some of the absolute best voices in the genre right now, and to appear on the same list as their names is beyond a dream come true.

And finally, a quick reminder! The iMailer newsletter from HWA went out last week, which included a special link to download Reluctant Immortals, but if you missed that email, then it bears repeating: if you’re an Active or Lifetime member and would like to read my novel, please email me at gwendolyn@gwendolynkiste.com, and I would be thrilled to send you a copy of Reluctant Immortals!

Once again, so many congratulations to everyone on the preliminary ballot! There are so many incredible works in every category, and it’s truly so wonderful to be among all of you!

Happy reading!